Country music’s hottest new albums, singles and tours!

By Preshias Harris

SO much great music news! How can we fit it all in?! New albums, singles, tours and more from Gabby Barrett, Luke Bryan, Cody Johnson, Shaboozey, Lady A, CJ Solar, Alana Springsteen, Brad Paisley, Little Big Town, Cody Jinx, Allie Colleen, Riley Green, The Highwomen, Don Williams, Ashley Cooke, Vince Gill, LOCASH & Parmalee plus new releases from emerging artists, upcoming music festivals and more. Thank you for making Inside Track on Music Row the longest continuously-published monthly country music column in the USA!

QUOTE OF THE MONTH: “I feel, as a songwriter, it’s one of the hardest things to do – to sit down and say how you feel.” – Bruno Mars

BIBLE VERSE OF THE MONTH: It was you who set all the boundaries of the earth; you made both summer and winter. – Psalm 74:17

RILEY GREEN

RILEY GREEN: Amid another massive year of touring sold-out arenas, new career feats, and major award show milestones, Country superstar Riley Green announces his fourth studio album, That’s Just Me out September 18th (pre-save/pre-order here). Produced by Dann Huff and Green, the project will be released via Nashville Harbor Records & Entertainment. Alongside the announcement, Green also released the second track from the record, “Think As You Drunk” (listen here).

Written and recorded during a pivotal year in Riley Green’s life and in the midst of the biggest tour of his career to date, That’s Just Me is a deeply personal multi-faceted body of work that captures the many sides of Green as an artist, but more importantly as a songwriter. Rooted in his signature Country storytelling with a strong western spirit, the record moves effortlessly between tender moments of yearning, brooding, and heartbreak, carefree beachy anthems, and the fun-loving drinking songs fans have come to love. Reflecting a season of change and growth, That’s Just Me showcases Green at a defining moment, revealing new layers while staying true to the authenticity that has always driven his music. Follow Green on FacebookXInstagramTikTok and YouTube.

  • See also Number One News, below. 

VINCE GILL

VINCE GILL: Music icon Vince Gill has released A Mother’s Prayer, the newest in his year-long EP series titled 50 Years From Home. Gill also launched his 50 Years From Home tour in June, a 27-city run including a six-night residency at the historic Ryman Auditorium. A complete list of dates can be found here.

Each of Gill’s EP releases thus far have centered around a unifying idea and theme. The glue holding the seven songs on the eighth installment, A Mother’s Prayer, is a bit more subtle, but the connection is revealed after listening all the way through and considering the context. Like the other 50 Years From Home EPs, A Mother’s Prayer was produced by Gill at his home studio near Nashville, with engineers Justin Niebank and Matt Rausch.

“I think with each of these EPs, I’m working toward pairing the songs that will sit together, that flow together, that sequence well,” Gill explains. “I like the theme of these songs, what they’re about. Where they came from. There are definitely some very personal ones on A Mother’s Prayer.” More at vincegill.com and on FacebookInstagramX, and YouTube.

THE HIGHWOMEN

THE HIGHWOMEN, the acclaimed collaborative movement formed by Amanda Shires, Brandi Carlile, Maren Morris and Natalie Hemby, share their new live album, Live at The Gorge 2023—available to stream everywhere: listen here. Alongside the digital album, a new live music video for “Redesigning Women” is available here.

“We weren’t planning on releasing a live album,” shares the group, “But in preparing for our upcoming reunion we recently listened back to The Gorge, and whatever happened out there that night came rushing right back…the adrenaline, the near misses, the harmonies locking in at exactly the right second, and the sound of thousands of people singing like they meant every word with their whole chest. The recordings sound wild, emotional, electric, human and exactly how that night felt…We could really feel the connection, the community and that rare oneness where everybody carried each other for a little while … Just us, the crowd, the canyon, and whatever that feeling was. We sure hope you feel it.” More at TheHighwomen.com and InstagramFacebook and YouTube.

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Country’s ‘Gentle Giant’ passes

Don Williams, May 27, 1939 – September 8, 2017

The world of country music will miss Don Williams. I know I will.

Don Williams. Photo: don-williams.com

His unique voice, both deep and mellow; his endearing smile and winning personality; even his ‘scrunched-up’ signature hat, so different from the pristine Stetsons worn by many of his contemporaries.

Don truly was the ‘Gentle Giant’ who gave us seventeen Number One country chart toppers, along with many other hits and numerous albums. His style was so distinctive because, in a way, his subtle, laid-back delivery differed from most of the sounds coming out of Music City back in the 70s.

Signed by ‘Cowboy’ Jack Clement

Although the Floydada, Texas, native had been singing and playing throughout his childhood and teenage years – allegedly winning an alarm clock in a talent contest at the age of three – his break came when he moved to Nashville and secured a songwriting deal with legendary music publisher and songwriter ‘Cowboy’ Jack Clement. Clement later signed Williams to a recording contract and the chart hits began with “The Shelter of Your Eyes.”

His first Number One was 1974’s “I Wouldn’t Want To Live If You Didn’t Love Me,” and from that date through 1991, every one of his singles would make the Billboard Country Top 40 chart. He became an international star: he was popular in England at a time when most radio listeners could only name Jim Reeves and Dolly Parton as country artists.  Hits such as “Tulsa Time,” “It Must Be Love” and “She Never Knew Me” established him as a consistent presence on stage and on the radio. However, Williams’ popularity also got him cast on the big screen in “W.W. and The Dixie Dancekings” and “Smokey and the Bandit II.”

“I Believe In You”

His most memorable – and most iconic – song was recorded in 1980: “I Believe in You.”  His eleventh Number One on Billboard’s Hot Country Songs chart, it was also a crossover hit peaking at number 24 in Billboard’s pop charts. To this day, it has remained a well-loved romantic ballad, popular across succeeding generations. The song was written by Roger Cook and Sam Hogin.  Whenever I see Roger performing at Writers’ Nights around Nashville, he only has to sing: “I don’t believe in…” for the crowd to start cheering, whistling and applauding before he even finishes the first line.  (On a sidebar, Roger was a popular recording artist in his own right back in his native England. His voice has matured to become similar to Don’s and I’m guessing Roger sang the demo that Don and his A&R team recognized immediately as hit material for Don.)

Don continued to be a major crowd-pleaser, touring and performing for sell-out crowds, even after radio programmers had decided to no longer put his songs in the ‘add’ column. He was inducted into the Country Music Hall of Fame in 2010.  His final performance was in 2016. He said, “It’s time to hang up my hat and enjoy some quiet time at home.”  Don passed away September 8, 2017 in Mobile, Alabama.

More about Don at his official website.