Music Licensing Collective (MLC) needs songwriters’ support

Songwriters, artists: sign petition to support MLC to collect streaming royalties. Take action now!

Nashville, TN (February 4, 2019) – The Nashville Songwriters Association International (NSAI), the Songwriters of North America (SONA), National Music Publishers’ Association (NMPA), today unveiled broad endorsements for their industry-consensus Music Licensing Collective (MLC) submission to the U.S. Copyright Office (USCO).

The submission, which will be filed by March 21st, creates the collective required by the Music Modernization Act (MMA) to license and administer mechanical rights. Additionally, the groups announced the MLC Board and Committee appointments and launched a website for all of the songwriters and artists who support the MLC to sign an official petition:  SupporttheMLC.com and a site for music publishers to add their endorsements: SongConnect.org.

“We’ve worked for decades for the benefits the MLC will bring songwriters/composers, including licensing their digital mechanical royalties at no cost since the streaming music companies have agreed to fund the collective.” – Steve Bogard, President, NSAI

Increased royalty payments from streaming services

Personal note:   The Music Licensing Collective (MLC) needs your support to ensure its success on your behalf.  It will create and maintain a thorough database of music composition copyrights (and the copyrights’ owners), collect mechanical royalties from digital music streaming services, and transmit those royalties to copyright holders based on the ownership claims set forth in the database.

Streaming services will pay mechanical royalties to the MLC based on the number of streams each song has racked up. This a major benefit for both artist and songwriters. The MLC will also set up a blanket mechanical license for streaming of music compositions, replacing the unwieldy Notice of Intention (NOI) that is currently filed when a streaming service cannot track down a copyright owner. This will result in significantly higher royalty payments for copyright holders in the MLC’s master database.*

All you have to do is join.  And its free.

“The U.S. Copyright Office will choose who runs the MLC this Summer.  The Nashville Songwriters Association International (NSAI), Songwriters of North America (SONA) and the National Music Publishers Association (NMPA) helped passed the MUSIC MODERNIZATION ACT, working on the legislation for years.  We are asking for your support for the MLC being created by us. We KNOW we can do the best job when it comes to licensing your songs and protecting your royalties because we’ve been doing it for decades.” – quote from the MLC website.

The Music Modernization Act (MMA) requires that the MLC is “endorsed by, and enjoys substantial support from, musical work copyright owners that together represent the greatest percentage of the licensor market.” Continue reading “Music Licensing Collective (MLC) needs songwriters’ support”

Music Row One Sheet, April 2018

Nashville Music News Roundup

Scroll down to read these Music Row One Sheet news items

  • How artists and songwriters can stay safe on social media
  • Bellamy Brothers still touring! Exclusive interview
  • Copyright Royalty Board OK’s big raise for songwriters
  • ACM Lifting Lives: stars turn out in Vegas
  • The Outlaws, Blackhawk benefit MusiCares, cancer research

Scroll down to read these Music Row One Sheet news items

Social media safety vital for singers, songwriters

Staying safe on social media is important for everyone, but it can be vital for young singers, musicians and songwriters who are posting photos and information about themselves as a way to build a following and boost their careers. However, your posts at Facebook, Twitter and Instagram can also attract stalkers, cyber-scammers and identity thieves.

For a helpful guide to staying safe online, read this article by Jim Akin posted on Experian’s website.  Among Jim’s recommendations: adjust your Facebook privacy settings and uncheck the ‘Discoverability’ boxes in Twitter’s safety and security controls. He also suggests being discreet about your whereabouts on social media.  He explains how to disable location tagging on Twitter, Facebook and Instagram.  Read the full article for many more helpful online safety tips.

Bellamy Brothers still circling the globe

David (left) and Howard Bellamy. Photo: Preshias Harris

The Bellamy Brothers remain hugely popular both in the USA and overseas.  They have been touring almost nonstop for more than 40 years. They have written a new autobiography titled ‘Let Your Love Flow: Life and Times of the Bellamy Brothers’ that will be available this month. Additionally, ‘Honky Tonk Ranch,’ a TV show about their hectic lives, is set to air in the USA on the Cowboy Channel.

I caught up with Howard and David Bellamy while they were on a brief break between international tour dates, and we sat down in Nashville to talk about their new projects. My exclusive interview with the Bellamys has now been posted at Country Music News International, a blog based in Germany.  You can find the full interview here.

Songwriter royalties: ‘significant increase’

The Copyright Royalty Board (CRB) has released its ruling on mechanical rates for songwriters for 2018 – 2022. This decision is the result of a trial that took place between March and June of 2017 with NMPA and the Nashville Songwriters Association (NSAI), representing the interests of music publishers and songwriters against Google, Amazon, Apple, Spotify and Pandora.

The court’s decision includes a significant increase in the overall percentage of revenue paid to songwriters from 10.5% to 15.1% over the next five years – the largest rate increase in CRB history. Additionally, the CRB removed the Total Content Cost (TCC) cap, giving publishers the benefit of a true percentage of what labels are able to negotiate in the free market resulting in significantly higher royalties for songwriters.

The CRB also increased the TCC rate resulting in the most balance between record label and publishing rates in the history of mechanical licensing. In addition, the CRB granted a late fee which will dramatically alter the licensing practices of digital music companies. Read the full press release from NSAI here.

ACM is ‘Lifting Lives’ in Vegas

With the ACM Awards just around the corner, it seems like half of Nashville is heading to Las Vegas.  The stars and their crews will be getting there early for ACM’s ‘Party For A Cause.’ On Friday, April 13, The Joint at the Vegas Hard Rock is the venue for ‘ACM Stories, Songs & Stars,’ a songwriters’ event benefitting ACM Lifting Lives, the philanthropic arm of the Academy of Country Music dedicated to improving lives through the power of music. Among those scheduled to appear: Lee Brice, Midland, Thomas Rhett, Cole Swindell, Rhett Akins, Ashley Gorley, Shane McAnally and more, The event will be hosted by Storme Warren.

The next morning, Saturday, April 14, Darius Rucker and Charles Kelley host ACM Lifting Lives Top Golf Tee-Off at the MGM Grand’s Top Golf. Among the celebs who have signed up: Chris Lane, Levi Hummon, Raelynn, Eric Pasley and more.

It’s back to the The Joint at the Hard Rock Hotel & Casino Sunday night for the Official After Party with performances by Lauren Alaina, Lee Brice, Luke Combs, Cassadee Pope, Jerrod Niemann, Tracy Lawrence and more.

Anything else? Oh yes! Almost forgot. The ACM Awards will be broadcast live from Las Vegas, Sunday, April 15, 8:00pm / 7:00 Central on CBS, hosted by Reba McEntire. The show will pay tribute to the victims of the mass shooting at the Route 91 Harvest festival.

Since 2008 ACM Lifting Lives has given more than 8 million dollars to more than 150 worthy causes and supports many projects throughout the year to create awareness and help those in need.

Blackhawk and The Outlaws make $$ donations to MusiCares and cancer research

Last week in Nashville, Henry Paul and Dave Robbins, members of country group BlackHawk, as well as southern rock band The Outlaws, paid visits to the Vanderbilt-Ingram Cancer Center and MusiCares to deliver donations raised for each organization.

L to R: Debbie Carroll (MusiCares Sr. Executive Director), Henry Paul (BlackHawk / The Outlaws)

Paul and Robbins presented a $40,000 check to Vanderbilt (on behalf of BlackHawk’s “Van Stephenson Memorial Cancer Research Fund”) and a $20,000 check to MusiCares (on behalf of The Outlaws’ “Fallen Outlaw Fund”).

“The ‘Van Stephenson Memorial Cancer Research Fund’ and ‘The Fallen Outlaws Fund’ were both formed to help give back to two very worthwhile causes in the name of BlackHawk and Outlaw fans, respectively,” says Paul. “Raising money for cancer research at the Vanderbilt Ingram Cancer Center and also for MusiCares, an organization that helps fund healthcare costs for uninsured musicians, is the cause. Honoring former founding BlackHawk member Van Stephenson and former founding Outlaws members Hughie Thomasson, Billy Jones and Frank O’Keefe, by perpetuating their memory in the name of these two charities, is our goal.”

Visit Blackhawk’s and The Outlaws websites. To find out more about the MusiCares program click here.

Music Row One Sheet copyright (c) 2018 Preshias Harris and Nashville Music Line LLC

Copyright Royalty Board dramatically increases rates for songwriters

NMPA and NSAI declare victory

The following is a press release issued by NSAI (Nashville Songwriters Association International) on Saturday, January 27, 2018, concerning the increased percentage of revenue paid to songwriters.

Washington, D.C. – Early this morning the Copyright Royalty Board (CRB) released its ruling on mechanical rates for songwriters for 2018 – 2022. This decision is the result of a trial that took place between March and June of 2017 with the National Music Publishers’ Association (NMPA) and the Nashville Songwriters Association (NSAI), representing the interests of music publishers and songwriters against Google, Amazon, Apple, Spotify and Pandora.

‘Largest songwriter rate increase’ in CRB history

The court’s decision includes a significant increase in the overall percentage of revenue paid to songwriters from 10.5% to 15.1% over the next five years – the largest rate increase in CRB history. Additionally, the CRB removed the Total Content Cost (TCC) cap, giving publishers the benefit of a true percentage of what labels are able to negotiate in the free market resulting in significantly higher royalties for songwriters. The CRB also increased the TCC rate resulting in the most balance between record label and publishing rates in the history of mechanical licensing. In addition, the CRB granted a late fee which will dramatically alter the licensing practices of digital music companies.

Click here to read the full release at the NSAI website.

Bart Herbison. Photo: NSAI

“Songwriters desperately need and deserve the rate increases resulting from the Copyright Royalty Board (CRB) trial.  The CRB was a long and difficult process but songwriters and music publishers together presented a powerful case for higher streaming royalty rates. The Nashville Songwriters Association International (NSAI) thanks our songwriter witnesses Steve Bogard, Lee Thomas Miller and Liz Rose whose testimony was compelling.” – Bart Herbison, NSAI Executive Director

To read an in-depth review of the impact of the court ruling published by Variety magazine, click here.