The following is a press release issued by NSAI (Nashville Songwriters Association International) on Saturday, January 27, 2018, concerning the increased percentage of revenue paid to songwriters.
Washington, D.C. – Early this morning the Copyright Royalty Board (CRB) released its ruling on mechanical rates for songwriters for 2018 – 2022. This decision is the result of a trial that took place between March and June of 2017 with the National Music Publishers’ Association (NMPA) and the Nashville Songwriters Association (NSAI), representing the interests of music publishers and songwriters against Google, Amazon, Apple, Spotify and Pandora.
‘Largest songwriter rate increase’ in CRB history
The court’s decision includes a significant increase in the overall percentage of revenue paid to songwriters from 10.5% to 15.1% over the next five years – the largest rate increase in CRB history. Additionally, the CRB removed the Total Content Cost (TCC) cap, giving publishers the benefit of a true percentage of what labels are able to negotiate in the free market resulting in significantly higher royalties for songwriters. The CRB also increased the TCC rate resulting in the most balance between record label and publishing rates in the history of mechanical licensing. In addition, the CRB granted a late fee which will dramatically alter the licensing practices of digital music companies.
Click here to read the full release at the NSAI website.
Bart Herbison. Photo: NSAI
“Songwriters desperately need and deserve the rate increases resulting from the Copyright Royalty Board (CRB) trial. The CRB was a long and difficult process but songwriters and music publishers together presented a powerful case for higher streaming royalty rates. The Nashville Songwriters Association International (NSAI) thanks our songwriter witnesses Steve Bogard, Lee Thomas Miller and Liz Rose whose testimony was compelling.” – Bart Herbison, NSAI Executive Director
To read an in-depth review of the impact of the court ruling published by Variety magazine, click here.
The Ryman Auditorium and the Bluebird Café. Two iconic names that immediately create mental images of what Music City is all about. Both are at the top of the list for tourists to visit, particularly since the worldwide popularity of the TV drama series, ‘Nashville.’
In fact, many visitors, listening intently to their tour guides, might actually know more about those two venues than those of us who live and work here. It never hurts to remind ourselves just how important they are to the success of Nashville’s music industry.
In many ways, the story of both venues is really the story of a small number of remarkable people (mainly women, as it happens) whose tenacity, dedication and unwavering belief ensured that both the Ryman and the Bluebird are still thriving today.
The Bluebird put songwriters ‘In the Round’
Inside the Bluebird. Photo: Bluebird Cafe
Originally started as a restaurant in 1982 by founder Amy Kurland, the Bluebird Café had evolved into a 90-seat listening room by 1984, holding regular ‘Writers’ Nights.’ In March 1985, three songwriters, J. Fred Knobloch, Don Schlitz and Paul Overstreet, performed the Bluebird’s first ‘In The Round’ show, in which the three writers sat in the center of the room and took turns playing songs and telling the stories behind the songs, while audiences listened quietly and attentively.
The ‘In The Round’ concept was an immediate success and was soon adopted by other venues, but The Bluebird is recognized as the place where it really all started and continues to this day. So many hit writers and recording artists cite the Bluebird as the place where their careers really took off. Among them: Taylor Swift, at the age of fourteen, discovered by Scott Borchetta, and Garth Brooks who, in 1987, filled in for another artist and was spotted by a Capitol Records’ A&R exec and signed to a record deal the very next day.
‘Alive at the Bluebird’ concert series
Photo: The Bluebird Cafe
After 36 years, the Bluebird Café is as popular as ever. It is still the place where songwriters really want to be seen and heard. Baseball great Yogi Berra is credited with saying about a popular restaurant, “Nobody ever goes there anymore. It’s too crowded.” And among some Nashvillians, there’s a feeling that the Bluebird has become mainly a tourist destination. But that really is not the case. Just take a look at the list of upcoming shows at their website, and check out the astonishing list of hit writers scheduled to appear.
The 25th Annual Alive at the Bluebird concert series is currently underway with at least 27 shows running through February 1, 2018 that benefit Alive Hospice. There’s never been a better time to catch a great show and support a really worthwhile cause.
While you’re at their site, it’s a good idea to click on ‘Reservations’ too. That’s where you’ll see the Bluebird’s policy about booking seats. Remember, it’s a small room (the intimate setting and the close proximity to the performers is part of the charm) so have a second or third choice in mind if your first choice is sold out.
The Ryman: 125 years and counting
The Ryman Auditorium dates back to 1892 when it was originally known as the Union Gospel Tabernacle. Now, with around 2,360 seats, it is considerably bigger than the Bluebird, but still one of Nashville’s best venues to see live shows, even in these days of stadium and arena spectaculars.
But, like the Bluebird, the Ryman owes its current existence to a few people who were convinced that it was an essential part of Music City’s heritage. In 1920, Lula C. Naff was hired to manage the space, after working there for several years, booking acts for the Ryman in her spare time. Her tireless dedication kept the venue alive and thriving until her retirement in the 1950s. Since then, the Ryman has had two more female GMs.
“To work here [at the Ryman] you have to be like a crazy, crazy music fan.”– Lisaann Dupont, Director of Communications for Opry Entertainment Group, quoted in an interview at Uproxx.com. You can read the entire story, ‘How Women Shaped the Legacy of Nashville’s Oldest and Most Celebrated Venue, the Ryman Auditorium,’here.
Saved from demolition
The Ryman. Photo: L.A. Times/Don Bartletti
It’s hard to believe now that, when the Grand Ole Opry moved to its new location at Opryland, the decision was made to demolish the Ryman. Pressure from local preservationists led to the Ryman being added to the National Register of Historic Places in 1971, preventing demolition. But for nearly two decades, it slowly deteriorated as its owners had little interest in it. Gaylord Entertainment finally carried out repairs to the exterior including the roof.
But the turning point was a recording made in the dilapidated building by Emmylou Harris & the Nash Ramblers. Titled ‘At The Ryman,’ the album won a Grammy for Best Performance by a Duo or Group in 1993. The success prompted Gaylord to invest in extensive renovations. Since then, additional updates have revitalized the Ryman into the great venue it is today.
Both the Bluebird Café and the Ryman Auditorium prove that when even a small number of people believe strongly that a venture is worthwhile and never give up on their objectives, great things can happen. Today, it’s difficult to imagine what Nashville would be like without the Bluebird Café or the Ryman. They are living proof that people with strong beliefs and perseverance can make things happen.
The Bluebird, the Ryman. Two stops on any visitor’s tour of Nashville. But both great entertainment resources for all of us living in Middle Tennessee who owe a debt of gratitude to those who made them what they are today.
The January 2018 version of my monthly column, ‘Inside Track on Music Row,’ is now posted at Nashville Music Guide, complete with some great graphics and photos.
Here are a few few teasers, but click the link above to read the full column of news about songwriters, artists and the country music industry.
Artist News
Brett Young has landed on multiple Billboard Year End charts, as 2017 came to a close, including Top New Artists, the only Country artist to do so. He also landed at No. Two on the Year End Hot Country Songs, Country Digital Songs and Country Streaming Songs charts. ASCAP recognized his “quintessential breakout year,” honoring Young for one of the Most Played Songs of the Year with “Sleep Without You.” Young was named a TicketMaster New Favorite Artist of 2017 and was Shazam’s only Country act included on their Emerging Artists of 2017 list. He also drew prestigious CMA, ACM, Teen Choice Award, CMT Music Awards and AIMP Award nominations. 2018 is already shaping up to be another big year for Young, who is working on new music. He will perform at the College Football Playoff concert in Atlanta January 8 before joining ACM Male Vocalist of the Year Thomas Rhett on his LIFE CHANGES Tour. More info at brettyoungmusic.com.
Concert News
As the curtain closed on a sold-out show at New York City’s Town Hall in December, multi-PLATINUM singer/songwriter Kip Moore took a bow to 2017, for what can only be described as a benchmark career year. Moore is wrapping up an overwhelming year on multiple “Best Of 2017” lists by Entertainment Weekly, Rolling Stone, UpRoxx, Bobby Bones Show, Taste Of Country, Sounds Like Nashville, The Boot, PopMatters and Whiskey Riff for his revered third studio album SLOWHEART, while reflecting on his 4th career No. One for his single “More Girls Like You,” sold-out headlining shows, national TV appearances and more. 2018 tour dates etc at kipmoore.net.
Label News
Luke & Caroline Bryan. Photo: Getty/Frederick Breedon IV
(Capitol Records) On Christmas, via Instagram, Capitol’s ‘Golden Boy’ Luke Bryan surprised his wife Caroline with two baby kangaroos! Yeah, you read that right, two baby kangaroos. The baby roos are the latest additions to Brett’s Barn, a farm of rescue animals honoring their late niece. Country superstar Bryan took to Instagram to share a video of himself surprising his wife Caroline with the most unexpected Christmas gift ever. In the video clip, Bryan approaches Caroline, who is blindfolded, with the two kangaroos in bags. The family named the babies Todd and Margo after two characters from the iconic Christmas film, National Lampoon’s Christmas Vacation. Todd and Margo will join the family of animals living on the Bryan Family property at Brett’s Barn. The barn is Caroline’s passion project and is dedicated to her late niece who passed away at just 7 months old in early 2017. Brett’s Barn is also home to a pig, goats, and miniature horses. Caroline plans to keep adding to Brett’s Farm and I am sure we will be hearing more about it in the Spring.
And there’s a whole lot more! Check out the entire column online at Nashville Music Guide.
Why more Brits than ever are on their way to Nashville
Pop quiz: What’s the biggest industry in Music City? No, it’s not music, it’s healthcare. But ‘Healthcare City’ doesn’t sound half as much fun as Music City, and Nashville’s musical heritage accounts for millions of dollars in tourist revenue. Much of that revenue comes from foreign visitors and that revenue is set to increase still further. The reason: direct flights to Nashville from London’s Heathrow Airport.
Two recent news stories – one from each side of the Atlantic – look at Nashville from different perspectives. ‘Boom (Chicka-Boom) Town’ by Chris Parton in the January issue of Nashville Lifestyles magazine interviews nine ‘movers and shakers’ in Nashville’s music industry.
Meanwhile, a story in London’s Sunday Times, dated December 31, 2017, tells British readers why they “should join the hoedown in 2018” by flying to Nashville. The article’s author, Rich Hall, should know what he’s talking about. He is an American performer whose comedy and country music show, Rich Hall’s Hoedown, tours the UK from February to June, often adopting the character of Tennessee country musician Otis Lee Crenshaw.
‘More than one style’ of country music
Rich Hall. Photo: David Donaldson
Hall makes a point of mentioning several venues familiar to Nashville residents but probably less so to overseas visitors. He writes that there’s more than one style of country music. “Station Inn is spectacular for bluegrass,” says Hall. “And at 3rd and Lindsley, every Monday night, a 10-piece band called the Time Jumpers takes the stage, featuring Andy Reiss and Vince Gill (guitars), Paul Franklin (steel) and leader Ranger Doug (playing killer rhythm on an old Stromberg). If you’ve never heard western swing music, prepare for a religious conversion.”
Brits are notorious for being bad tippers, as tipping is less expected in Britain. Mentioning several of Lower Broad’s honky tonks, Rich says, “There’s a bucket at the foot of the stage. That’s for tips. Be generous, you tight-fisted British miserlings.”
Thank you, Rich! Let’s hope your readers make a note of that!
‘Behind the Scenes’ in Music City
Back at Nashville Lifestyles’ Music Issue (subtitled ‘Behind the Scenes of Our Signature industry’), the story notes that: “According to the Nashville Chamber of Commerce’s 2017 Regional Economic Development Guide, the area’s population has now ballooned to more than 1.8 million people and, in 2016, was joined by 13.9 million visitors.” Those visitors made an impact of $5.7 billion on the city.
If you are part of the music industry, yours is one of 56,000 jobs that are maintained as a result of music in Nashville, according to Chamber estimates. The magazine article quotes the Music City Music Council’s report that 8,000 jobs are directly involved in music making, with 190+ recording studios in the city. “Nashville is currently home to 10 times more music activity than either Los Angeles or New York,” reports writer Chris Parton in Nashville Lifestyles.
‘Challenges’ for Nashville’s music creators
Bart Herbison. Photo: NSAI
But some of Nashville’s music creators are facing challenges. “Songwriters and publishers have seen a huge payment disparity in the streaming area versus the artists and record labels,” Bart Herbison, Executive director of Nashville Songwriters Association (NSAI) explained to Parton. “On the performance side, [artists and labels] get 88 cents for every 12 cents we get, and, on the sales-royalty side, it’s seven-to-one or greater. So, we’re trying to fix that.” (A note from Preshias: for more information on the Songwriter Equity Act, see an earlier post at NashvilleMusicLine.com.)
Among the other Nashville music execs interviewed for the Nashville Lifestyles story are Kos Weaver, Executive VP of BMG Nashville, Mike Dungan, Chairman and CEO of Universal Music Group, Nashville, and Shannan Hatch, Creative Director of SESAC, and several others. All offer professional insight into Nashville’s music industry and where it is heading.
Rob Beckham. Photo: Music Row Magazine
Rob Beckham, partner at WME/IMG points out that in the past, country acts rarely toured abroad. “But now that international audiences can access the music as easily as domestic audiences, we are seeing an increased demand to bring our acts overseas,” he told Parton.
Which brings us back to the article written by Rich Hall for the Sunday Times in London, England. American-born Hall is a comedian who has become popular in Britain and is frequently featured on BBC TV shows.
“Behind Lower Broadway stands the mecca of country music, the Ryman Auditorium, original home of the Grand Ole Opry. Giants walked here. Stand on the center-stage circle and channel the ghosts of Hank Williams, Chet Atkins and Tammy Wynette. The Opry still broadcasts from there on weekends from November to January. Do not, however, confuse this with Opryland, a Disneyfied tourist hellhole on the outskirts of town, designed to separate rubes from the contents of their wallets.” – Rich Hall
In addition to mentioning Nashville’s music venues, Hall recommends Brit visitors sample Nashville hot chicken, country ham, grits, Goo Goo Clusters and hash browns slathered in Cheez Whiz – though not necessarily all on the same plate.
Nashvillians are ‘just genuinely nice’
Hall’s article closes by mentioning that Nashville is exceptional because it is so friendly. In fact, Travel & Leisure magazine named Nashville one of ‘America’s friendliest cities’. Nashvillians, says Hall, are: “Just genuinely nice. So much of America runs together these days. Nashville stands out. After a short time here, you start wondering why the rest of the world can’t be this pleasant.”
British Airways’ new direct flights between London and Nashville are scheduled to begin in May 2018, so expect to hear even more Brit accents at this year’s CMA Music Festival, June 7 – 10. You can reach Rich Hall at offthekerb.co.uk/rich-hall
You can read the entire ‘Boom (Chicka-Boom) Town’ article and more about what’s happening in Music City in the January edition of Nashville Lifestyles, now at newsstands or go to www.nashvillelifestyles.com
Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com
Proactivity is part of a singer or songwriter’s “Pod of Seven P’s”
Graphic image: Mike Harris
Being proactive is not the same as merely being active. When you are proactive, you take action in advance of a situation. That might mean taking action to make a good situation even more beneficial to you, or taking action to prevent or minimize the effects of a bad situation.
Note: this is one part of my seven-part series “The ‘P’ Pod: Seven characteristics shared by the most successful people in the music industry.” It is currently being serialized atMusicStartsHere.org
Here are two scenarios:
You’ve been asked to open for a fairly well-known act in a nearby town, and, although the money isn’t great, it could be an opportunity to make more people aware of who you are and what you do….
Continue reading the ‘Proactivity’ chapter (and another chapter, ‘Positivity,’ in the same post) atMusicStartsHere.org MusicStartsHere is the go-to place for news and information for artists, songwriters and anyone interested in the music.
When it comes to music, everyone has their own opinion about what is ‘best.’ Below are some links to “Best 2017 Album” lists, plus important news about legislation that will affect songwriters’ income… and a Justin Timberlake video you just gotta see! But we’ll start with an item about a company creating laminates that deliver complete albums, videos and photos to your fans.
Check out these interactive souvenir laminates from iDitty
iDitty laminate for Big & Rich
Artists looking for something that’s both nifty and original might want to check out a neat product from iDitty, a state-of-the art tech company that manufactures digital, interactive souvenir laminates. They offer a customizable, fan-oriented “All-Access” laminate designed to make artist happenings and music accessible in real time at the swipe of a finger.
Since its formation in 2014, award-winning country music entertainers, legends and chart-toppers (Big & Rich, Kelsea Ballerini, Chris Young, Charlie Daniels and Tracy Lawrence), along with some of today’s hottest newcomers (Lee Brice, Justin Moore and Joe Denim) have aligned with iDitty to move full album sales. Collectively, iDitty claims $2.5 million in music sales to date, and Music Row Influentials validate the one-of-a-kind merch item as “the CD replacement.” For more information, visit iDitty.com or contact Hugh Kirkpatrick here: hughkirkpatrick@comcast.net.
Best albums of 2017
Question: What were the best albums of 2017? Answer: Depends on who you ask. You can find Rolling Stone’s ’50 Best Albums of 2017’ here. Meanwhile, NPR (National Public Radio) have prepared their own Top 50 album list here. When it comes to Country, there are several lists to pick from. Start with Taste of Country’s ’10 Country Albums That Stood Above the Rest in 2017’ here. and then check Billboard’s ‘The 10 Best Country Albums of 2017: Critics’ Choice’ at the magazine’s website. No doubt, with every list, you’ll say, “What?! How could they leave out [insert your favorite album name here]!”
“Songwriters are the lifeblood of Music City”
In late December, Congressmen Doug Collins (R-GA) and Hakeem Jeffries (D-NY) introduced “The Music Modernization Act Of 2017” (HR 4706), legislation designed to improve songwriter royalty rates from digital streaming companies while making the music licensing process more efficient.
In a story published at musicrow.com, U.S. Senator Lamar Alexander (R-Tenn.) says, “Songwriters are the lifeblood of Music City, and their paychecks ought to be based on the fair market value of their songs – so that when they write a hit heard around the world, you can see it in their billfolds.” Alexander continued, “We intend to introduce legislation that we have been working on for months to help songwriters receive fair market compensation early next year, and we will be including in our legislation many of the same provisions that were in the House bill introduced today.”
Tennessee Senator Lamar Alexander and Utah Senator Orrin Hatch were noted as guiding forces throughout this process, years in the making. A Senate version of the legislation will be introduced in early 2018. Read the full Music Row story here.
And finally…
Justin Timberlake – way before NSYNC
Justin Timberlake, age 11
Some people muttered “He ain’t Country,” when Justin Timberlake appeared onstage with Chris Stapleton during the 2015 CMA Awards for their “Tennessee Whiskey” duet. But Justin’s country roots go w-a-y back to when he was just a tyke growing up in Shelby Forest, Tennessee.
If you haven’t already seen it, take a look at a young Timberlake performing an Alan Jackson song on Star Search here.
Troy Gentry, Glen Campbell, Don Williams, Mel Tillis and more
Sadly, 2017 saw the world of music lose so many great talents. Every year, we have to say farewell to some of our favorite musicians, but in 2017, we seemed to experience more than the usual number of passings.
Among those we are mourning…
Mel Tillis. Photo: Billboard
Mel Tillis, 85, who wrote or co-wrote more than 1,000 songs and recorded more than 60 albums, overcoming a speech impediment to give us so many hits such as “Coca Cola Cowboy, “I Ain’t Never” and “Good Woman Blues.”
Troy Gentry. Photo: CNN
Troy Gentry, 50, tragically killed in a helicopter crash on September 8. With Eddie Montgomery, as part of the duo Montgomery Gentry, he recorded more than 20 charting singles that showed the early influence of Southern Rock on these Kentucky boys.
Glen Campbell. Photo: glencampbell.com
Glen Campbell, 81, who found steady work as an in-demand session guitarist in Los Angeles (on cuts by Elvis, Nancy Sinatra, Dean Martin and many Phil Spector tracks), before finding fame as a singer with worldwide pop/country hits including “Rhinestone Cowboy,” “Gentle On My Mind” and “By The Time I Get To Phoenix.”
Tom Petty. Photo: AP/Mark Humphrey
Tom Petty, 66. The singer, songwriter and multi-instrumentalist was also known as a staunch advocate for artist control over music. With his band, The Heartbreakers, he had scores of pop hits and was also part of The Traveling Wilburys with George Harrison, Roy Orbison, Bob Dylan and Jeff Lynne.
Gregg Allman. Photo: USA Today
Gregg Allman, 69, a Nashville native who was a founding member of the Allman Brothers Band. Despite setbacks and tragedies (including the death of Duane Allman in 1971) the band continued playing, on and off until the 2010s. (Drummer Butch Trucks, another founding member of the Allman Brothers Band, died in January 2017, aged 69.)
Don Williams. Photo: donwilliams.com
Don Williams, 78. A 2010 inductee into the Country Music Hall of Fame, Williams’ career included 17 number one Country chart toppers, including the Roger Cook & Sam Hogin-penned crossover hit “I Believe in You.” He was also seen in movies such as “Smokey and the Bandit II” and “WW and the Dixie Dance Kings.”
Robert Knight. Photo: Getty/Rick Diamond
Robert Knight, 72. The R&B/pop singer and Franklin, Tenn., native was discovered singing at a Vanderbilt frat party and immediately signed to a record deal, resulting in the smash hit “Everlasting Love,” described as “one of the most enduring songs ever to come out of Nashville” by Michael Gray, the Country Music Hall of Fame historian.
Chuck Berry. Photo: Chess Records
Chuck Berry, 90, the rock and roll pioneer whose songwriting and guitar playing influenced generations of pop, rock and country artists. Almost until his death on March 18, 2017, Berry was performing and even recording one final album. His massive hits include “Maybellene,” “Little Queenie” and “Roll Over Beethoven.”
And so many others, including…
David Cassidy, 69, teenage heartthrob singer who found fame as part of TV’s Partridge Family… Della Reese, 86, the phenomenal R&B/Soul singer who later became a move & TV star… Fats Domino, 89, the unique New Orleans rock and roll pianist and singer… Al Jarreau, 76, the multi-Grammy-winning singer of bluesy pop hits such as “We’re In This Love Together”… Walter Becker, 67, the singer/songwriter who, with Dan Fagen, formed Steely Dan… Malcolm Young, 64, guitarist, singer and co-founder (with brother Angus) of the hard rock band AC/DC… Johnny Hallyday, 74, known as the ‘French Elvis,’ he released an astonishing 79 albums, selling more than 80 million records worldwide… Wayne Cochran, 78, the ‘blue-eyed soul’ singer whose flamboyant stage performance influenced Elvis, wrote and recorded the original version of the teen tragedy (‘splatter platter’) hit, “Last Kiss.”
Yes, there were more, and all will be missed. As The Righteous Brothers sang in 1974: “If there’s a rock and roll heaven, you know they’ve got a hell of a band.”
Perseverance: part of a singer or songwriter’s “Pod of Seven P’s”
By Preshias Harris
In many ways, Perseverance is the first cousin of Passion. When one has passion, perseverance must inevitably follow as the means of realizing one’s passion.
Note: this is one part of my seven-part series “The ‘P’ Pod: Seven characteristics shared by the most successful people in the music industry.” It is currently being serialized atMusicStartsHere.
Perseverance has sometimes been called persistence or “stick-to-it-iveness.” Whatever happens to knock you off course, you just keep going toward your goal. This doesn’t mean that, if you come to a ravine, you simply walk straight ahead and over the edge. By perseverance, you find another path, a way around the obstacle, and continue on to your goal.
Don’t let the naysayers discourage you
Graphic image: Mike Harris
Your music career will, without doubt, run up against various obstacles as you proceed. There’ll be people who will tell you that you should forget about music and get a ‘real’ job. There will be meetings with music executives that you feel certain will bring about your big break, only to see those hopes crumble. And there will be promises made to you that turn out to be nothing but smoke and mirrors.
A career in music – just like careers in many other areas – can be filled with heartache and disappointment. But that doesn’t mean you’ve made the wrong career choice. Simply that you have to recognize the obstacle and find a way to get past it and back on track.
Continue reading the ‘Perseverance’ chapter atMusicStartsHere.org.MusicStartsHere is the go-to place for news and information that artists, songwriters and anyone interested in the music scene need to know.
December is often a quiet time around the music industry, but this year there are a number of news items that can affect the lives of songwriters and recording artists. Here are some you might want to check out.
BMI Songwriters Win 100% Licensing Ruling
On December 19, NSAI posted the following news bulletin: Today the 2nd Circuit Court of Appeals put the issue of 100% licensing to rest by affirming an earlier ruling by BMI rate court Judge Louis Stanton.
“The Nashville Songwriters Association International (NSAI) is thrilled and relieved that BMI songwriters no longer have to be concerned about the U.S. Department of Justice’s misguided ruling on 100% licensing,” said NSAI President Steve Bogard. “We congratulate BMI CEO Mike O’Neil and his team on this important victory and hope the DOJ now releases ASCAP from their ruling that was delivered in 2016. The time has come to discuss sun-setting or updating the ASCAP and BMI consent decrees so that songwriters can earn fair performance royalty rates from streaming services.”
HAAWK –that tracks revenue for rights holders – buys Royalty Claim and TuneRegistry
From a report at Billboard.com:HAAWK, a rights management and content monetization firm started by Ad-Rev co-founder Ryan Born, has acquired RoyaltyClaim and TuneRegistry. Terms of the deal were not disclosed although Haawk had previously raised $2.5 million in seed venture capital from Rincon Venture Partners.
Prior to this current acquisition, HAAWK bought certain assets from Dart Music, which specialized in cleaning up music rights metadata, among other rights management services. That company filed for bankruptcy last summer and its assets were sold in separate deals to HAAWK and Core Rights LLC this fall. Continue reading the Billboard story here.
Songwriters: Support H.R. 3945, a bill to create a Small Claims Court
An email sent out by The Copyright Alliance urges creators (including songwriters) to support a bill in Congress that would establish a way for individuals to fight infringement of their rights. The text of the email reads:
Join the copyright community in asking your Congressional Representative to cosponsor H.R. 3945, the CASE Act of 2017, a bill that would create a copyright small claims court for creators and small businesses (It’s quick and easy to do!)
For many photographers, illustrators, authors, songwriters and other creators who own copyrighted works, enforcing their rights is not feasible. Litigation is expensive and many creators simply can’t afford it. In effect, the U.S. copyright system currently provides creators with rights but no effective remedies.
Among all the recording studios in Nashville, probably the most famous has to be RCA Studio B. In many ways, it was where the ‘Nashville Sound’ developed, mainly under the direction of the legendary Chet Atkins. But the microphones have not been mothballed just yet, according to a story broadcast on WPLN.
RCA Studio B. Photo: Country Music Hall of Fame & Museum
For 20 years (1957 to 1977), Studio B was the birthplace of hundreds of hit records that impacted both the Country and Pop charts. The list of stars who stepped up to the microphone in that studio includes Elvis Presley, Roy Orbison, Dolly Parton and so many more. My cousins, the Everly Brothers, were there from the beginning, cutting their first Studio B session in November 1957.
Now, Studio B is a must-see stop for visitors to Nashville and the tour buses pull up every hour across the street from my office on Music Square West. But although Studio B is now a tourist destination, operated and maintained by the Country Music Hall of Fame and Museum, some musicians still find a way to capture the unique sound that only this studio can create.
WPLN-FM, Nashville’s Public Radio station, recently aired a story about musicians and artists who find a way to record songs today in Studio B, keeping that signature sound alive. As an example, JD McPherson recently topped the Americana charts with ‘Lucky Penny.’ He recorded it at the famed studio 60 years after Don Gibson recorded his version of the song in the same studio.
You can hear the audio of that WPLN story and read the text here.
If you want to know more about the amazing history of RCA Studio B, the Country Music Hall of Fame and Museum published a book, full of stories and pictures, that’s available in the book shop and online.
In fact, many visitors, listening intently to their tour guides, might actually know more about those two venues than those of us who live and work here. It never hurts to remind ourselves just how important they are to the success of Nashville’s music industry.
story of a small number of remarkable people (mainly women, as it happens) whose tenacity, dedication and unwavering belief ensured that both the Ryman and the Bluebird are still thriving today.
But, like the Bluebird, the Ryman owes its current existence to a few people who were convinced that it was an essential part of Music City’s heritage. In 1920, Lula C. Naff was hired to manage the space, after working there for several years, booking acts for the Ryman in her spare time. Her tireless dedication kept the venue alive and thriving until her retirement in the 1950s. Since then, the Ryman has had two more female GMs.
Brett Young has landed on multiple Billboard Year End charts, as 2017 came to a close, including Top New Artists, the only Country artist to do so. He also landed at No. Two on the Year End Hot Country Songs, Country Digital Songs and Country Streaming Songs charts. ASCAP recognized his “quintessential breakout year,” honoring Young for one of the Most Played Songs of the Year with “Sleep Without You.” Young was named a TicketMaster New Favorite Artist of 2017 and was Shazam’s only Country act included on their Emerging Artists of 2017 list. He also drew prestigious CMA, ACM, Teen Choice Award, CMT Music Awards and AIMP Award nominations. 2018 is already shaping up to be another big year for Young, who is working on new music. He will perform at the College Football Playoff concert in Atlanta January 8 before joining ACM Male Vocalist of the Year Thomas Rhett on his LIFE CHANGES Tour. More info at brettyoungmusic.com.
As the curtain closed on a sold-out show at New York City’s Town Hall in December, multi-PLATINUM singer/songwriter Kip Moore took a bow to 2017, for what can only be described as a benchmark career year. Moore is wrapping up an overwhelming year on multiple “Best Of 2017” lists by Entertainment Weekly, Rolling Stone, UpRoxx, Bobby Bones Show, Taste Of Country, Sounds Like Nashville, The Boot, PopMatters and Whiskey Riff for his revered third studio album SLOWHEART, while reflecting on his 4th career No. One for his single “More Girls Like You,” sold-out headlining shows, national TV appearances and more. 2018 tour dates etc at kipmoore.net.
And there’s a whole lot more! Check out the entire column online at 
Two recent news stories – one from each side of the Atlantic – look at Nashville from different perspectives. ‘Boom (Chicka-Boom) Town’ by Chris Parton in the January issue of 
Question: What were the best albums of 2017? Answer: Depends on who you ask. You can find Rolling Stone’s ’50 Best Albums of 2017’
“The Nashville Songwriters Association International (NSAI) is thrilled and relieved that BMI songwriters no longer have to be concerned about the U.S. Department of Justice’s misguided ruling on 100% licensing,” said NSAI President Steve Bogard. “We congratulate BMI CEO Mike O’Neil and his team on this important victory and hope the DOJ now releases ASCAP from their ruling that was delivered in 2016. The time has come to discuss sun-setting or updating the ASCAP and BMI consent decrees so that songwriters can earn fair performance royalty rates from streaming services.”
From a report at Billboard.com: 
An email sent out by The Copyright Alliance urges creators (including songwriters) to support a bill in Congress that would establish a way for individuals to fight infringement of their rights. The text of the email reads:
WPLN-FM, Nashville’s Public Radio station, recently aired a story about musicians and artists who find a way to record songs today in Studio B, keeping that signature sound alive. As an example, JD McPherson recently topped the Americana charts with ‘Lucky Penny.’ He recorded it at the famed studio 60 years after Don Gibson recorded his version of the song in the same studio.
If you want to know more about the amazing history of RCA Studio B, the Country Music Hall of Fame and Museum published a book, full of stories and pictures, that’s available in the book shop and