When it comes to music, everyone has their own opinion about what is ‘best.’ Below are some links to “Best 2017 Album” lists, plus important news about legislation that will affect songwriters’ income… and a Justin Timberlake video you just gotta see! But we’ll start with an item about a company creating laminates that deliver complete albums, videos and photos to your fans.
Check out these interactive souvenir laminates from iDitty

Artists looking for something that’s both nifty and original might want to check out a neat product from iDitty, a state-of-the art tech company that manufactures digital, interactive souvenir laminates. They offer a customizable, fan-oriented “All-Access” laminate designed to make artist happenings and music accessible in real time at the swipe of a finger.
Since its formation in 2014, award-winning country music entertainers, legends and chart-toppers (Big & Rich, Kelsea Ballerini, Chris Young, Charlie Daniels and Tracy Lawrence), along with some of today’s hottest newcomers (Lee Brice, Justin Moore and Joe Denim) have aligned with iDitty to move full album sales. Collectively, iDitty claims $2.5 million in music sales to date, and Music Row Influentials validate the one-of-a-kind merch item as “the CD replacement.” For more information, visit iDitty.com or contact Hugh Kirkpatrick here: hughkirkpatrick@comcast.net.
Best albums of 2017
Question: What were the best albums of 2017? Answer: Depends on who you ask. You can find Rolling Stone’s ’50 Best Albums of 2017’ here. Meanwhile, NPR (National Public Radio) have prepared their own Top 50 album list here. When it comes to Country, there are several lists to pick from. Start with Taste of Country’s ’10 Country Albums That Stood Above the Rest in 2017’ here. and then check Billboard’s ‘The 10 Best Country Albums of 2017: Critics’ Choice’ at the magazine’s website. No doubt, with every list, you’ll say, “What?! How could they leave out [insert your favorite album name here]!”
“Songwriters are the lifeblood of Music City”
In late December, Congressmen Doug Collins (R-GA) and Hakeem Jeffries (D-NY) introduced “The Music Modernization Act Of 2017” (HR 4706), legislation designed to improve songwriter royalty rates from digital streaming companies while making the music licensing process more efficient.
In a story published at musicrow.com, U.S. Senator Lamar Alexander (R-Tenn.) says, “Songwriters are the lifeblood of Music City, and their paychecks ought to be based on the fair market value of their songs – so that when they write a hit heard around the world, you can see it in their billfolds.” Alexander continued, “We intend to introduce legislation that we have been working on for months to help songwriters receive fair market compensation early next year, and we will be including in our legislation many of the same provisions that were in the House bill introduced today.”
Tennessee Senator Lamar Alexander and Utah Senator Orrin Hatch were noted as guiding forces throughout this process, years in the making. A Senate version of the legislation will be introduced in early 2018. Read the full Music Row story here.
And finally…
Justin Timberlake – way before NSYNC

Some people muttered “He ain’t Country,” when Justin Timberlake appeared onstage with Chris Stapleton during the 2015 CMA Awards for their “Tennessee Whiskey” duet. But Justin’s country roots go w-a-y back to when he was just a tyke growing up in Shelby Forest, Tennessee.
If you haven’t already seen it, take a look at a young Timberlake performing an Alan Jackson song on Star Search here.


The Community Foundation exists to promote and facilitate giving in the 40 counties of Middle Tennessee and beyond. It does this by accepting gifts of any size from anyone at any time and by empowering individuals, families, companies, nonprofits, and communities to respond to needs and opportunities that matter. The Community Foundation works with people who have great hearts, whether or not they have great wealth, to craft solutions that reflect their intentions and goals. For more information, call 615-321-4939 or visit 
The Atlantic Records/Warner Music Nashville recording artist logged thousands of miles in 2017 and will wrap the year with his second headline tour. Already achieving two No. 1 singles, Ray’s anticipated lead single “Get To You” notched the most-added on the country airplay charts upon release and previews his forthcoming sophomore album.




As well as knowing the importance of sheer hard work in developing his music career, Logan is also deeply thankful to those who have helped him along the way. He has now partnered with Budweiser to create
As you know, virtually all other countries get by with one P.R.O. The USA has three: ASCAP, BMI and SESAC. Actually, there are four, if you include Global Music Rights (GMR) an invitation-only organization formed by Irving Azoff in 2013. Although all the P.R.O.s have a good working relationship, there have been limited instances of any of them truly working together. Until now.
We now have what appears to be good news for songwriters, publishers and those wishing to more easily identify information to, say, acquire sync licenses. The announcement came a few days after news that Rep Jim Sensenbrenner (R-Wis) had introduced the Transparency in Music Licensing and Ownership Act that was not viewed favorably by the P.R.O.s representing songwriters and publishers.

The National Association of Music Merchants Inc (NAMM) will be showcasing a complete product landscape while celebrating the local community music store and honoring the industry’s Top 100 Dealers. The annual summer gathering of the music product, pro audio and entertainment tech community brings together top brands, professional development sessions and an opportunity to network with peers, with Music City as the backdrop.
If you have any connection to the music industry – or if you want to increase your knowledge of how it works – you have a great opportunity coming up in the next couple of weeks. I already have my ticket to Music Biz 2017 and I’m excited at the prospect of keeping current with whats happening. Even after 27+ years in various aspects of the Nashville music scene, I know there’s still plenty to learn. If you feel that way too, please read on.