Songwriters pour it on at Whiskey Rhythm Saloon

Saturday late show wraps a great week at Tin Pan South 2018 

Dillon Dixon, Doug Johnson and Danny Wells were joined by The Darlins and Nick Sturms on the final day of this year’s Tin Pan South Songwriters Festival.

L to R: Dillon Dixon, Danny Wells, Jude Toy (The Darlins) Nick Sturms, Erinn Bates (The Darlins) and Doug Johnson. Photo credit: Catrina Engelby

Dillon Dixon – Dillon began his part of the writers’ round with a song he had with his band, High South, called ‘Bootwork.’ He followed that with his Josh Gracin radio hit ‘Invisible.’  Next up: ‘Follow the Smoke,’ a co-write with  German songwriter Phil Sunday and U.S. writer Brandon Chase.  Dillon has lived in Europe for the past few years to keep his music as his main income. He secured a publishing deal in Austria and has been touring all over Europe in various bands.

Dillon’s final song is one of my all-time favorite songs of his writing career. Dillon told the story of his friend Jimbeau Hinson coming in and helping him through an emotional “pre write” that had nothing to do with the session. After a Dillon got his composure, they finished the song ‘Wishing Others Well.’

 Doug Johnson – Doug Johnson kicked off his first song with a tune that he and hit writer Pat Bunch (She is 79 years old) wrote. Doug says, “We wrote a honky tonk song,” and, sure enough,  that’s the title: ‘Hony Tonk Song!’ Love the song that he co-wrote with Dave Gibson and Nick Sturms called ‘World Gone Mad.’ The next song, ‘Ain’t Nobody,’ is one that Doug wrote to his beautiful wife Lisa. It was amazing. I wish I could have sung this song to my honey!  Doug played the song he co-wrote with Nick Sturms for Nick’s 10-day-old son, Rollin Sterling Sturms. Ready or not, ’Here You Come’ is an amazing song for a first-time dad ormom, even though it was sung through the father’s point of view of his first born.

For Doug’s final round, he dedicated his songs to his co-writer, the award winning songwriter Kim Williams. Doug added, “Who is with angels.” Then he started the mega hit for Randy Travis, ‘Three Wooden Crosses.’ Rumor has it that Chesney passed on this song. Goes to show, a GREAT song will find a GREAT home, and a GREAT artist!

Danny Wells – Danny started out with a song he co-wrote with Jeffrey Steele, ‘I Found You.’ LOVE IT !!!!!!  Next pass, he sang the Rascal Flatts song he co-wrote with Gene Nelson, ‘This Everyday Love,’ a top ten hit for the group. “On this next song,” said Danny, “Tony Mullins and I wrote this song on actual paper! It made its way to Craig Morgan. It’s called ‘Little Bit of Life.’”

Danny wrapped his segment with his super mega smash for George Strait, ’Check Yes Or No,’ written with co-writer Dana Hunt Black. He told the story: “The [demo] cassette actually got stuck in the wrong box in the mail room. It was meant for another artist in that building. It ended up in George’s hands. Strait played it for his son, Bubba. Bubba said, ‘Dad, I didn’t want to like but I do!’” That’s the rest of story!

Nick Sturms – Also on stage was Nick Sturms, a talented songwriter and musician, who provided wonderful accompaniments.

 The Darlins were up next. They jumped right in with ‘Pistol,’ a single from their ‘Crush’ album. Just wonderful harmonies that seem like they are coming down from heaven. The Darlins are a female duo composed of Erinn Bates from Nashville, (lead vocals/mandolin) and Jude Toy from Portland, Oregon (guitar/vocals). The Darlins’ won Duo of the Year at the 2017 Josie Music Awards.

One of my favorite songs they sang was ‘Knock and The Door Will Be Opened.’ The final song for the Darlins was their single, ‘Blackberry Whiskey,’ that they co-wrote with super instrumentalist Robin Ruddy and released it in 2017. Robin joined them on stage as the surprise guest! Muisic critic and author Robert K. Oermann has said of The Darlins: “This female duo has a sensuous sound on this slow burning track. A resonator guitar weaves through the arrangement as they languidly drawl their desire in harmony. Feverish.” He nailed it !!!

CORRECTION: In a previous post about a Tin Pan South show featuring Anthony Smith, Clint Daniels, Lance Miller and Jamie Paulin, due to an editing error, the final paragraph incorrectly read: ‘All in all, another memorable Tin Pan South night of great music and stories from three masters of the art of songwriting.’   Of course, it should read: ‘All in all, another memorable Tin Pan South night of great music and stories from four masters of the art of songwriting.’ Apologies to all four great writers!

Tin Pan South Songwriters Festival is produced by the Nashville Songwriters Association International (NSAI). The Festival’s Presenting Partner is Regions Bank.

Super Saturday show at Station Inn

The great songwriter rounds just kept on comin’ at this year’s Tin Pan South! 

Case in point: this super show at Station Inn, Saturday, April 7, with Scott Reeves, Pete Sallis, Rory Bourke and Greg Friia.

[L to R]: Pete Sallis, Scott Reeves, Rory Bourke, James Hedden (Accompaniment) and host Greg Friia. Photo Credit: Catrina Engelby
Scott Reeves is both an actor and a singer/songwriter. The former soap opera star (Noel Laughlin on ABC’s Nashville, Ryan McNeil on The Young and the Restless and Steven Webber on General Hospital) is also part of the duo Blue Country. Scott started it off with a song that he co-wrote, along with Pete Sallis and Riley Weston, called ‘I’ve The Scars To Prove It.’ It’s a very deep kind of song that hit home with me and 99.99 percent of the room.

He also played a brand-new song that he wrote with James LeBlanc and Mark Narmore. As Scott sang the song in a James LeBlanc-style, he was definitely getting in tune with his ‘Swampy Side.’ As the round made full circle, Scott sang a song he wrote with Toby Keith and Bobby Pinson, called ‘Made In America’ that was a number one for Toby in 2011. His final song was one he co-wrote with Riley Weston for his beautiful wife, ‘I’m Going to Love You Through This Life.’ A wonderful way to end his part.

Pete Sallis:  Pete kicked it off with a song he co-wrote with Aaron Scherz and Maddie & Tae, ‘Shut Up and Fish.’ It’s a song that critics praised for the role-reversal of typical gender characters in country music songs. At the next pass around, Pete sang a song about a stupid boy called ‘Colorblind’ that had us laughing. He said, “People are always asking where they can find the songs I write. This is my version of iTunes which I like to call iTrunk.”

He is one of those songwriters that can make you cry one minute and laugh the next. He had everybody in stitches for the song ‘Size Don’t Matter.’ He played ‘Shoes’ because the crowd keep heckling him to do it, as his final song. He said that Garth loved it – but didn’t cut it. Then everyone laughed, but it really was a true story.

NOTE: Pete has cuts that cover a wide range of genres from the pop of American Idol winner Phillip Phillips and Aussie singer Betty Who to the blues of 3x Grammy Winner Keb Mo, as well as Ronnie Dunn, Bucky Covington, and George Canyon.

Rory Bourke: This legendary (and iconic) songwriter started off with his song for Anne Murray, ‘Blessed are the Believers.’ Rory told the story about writing songs that became hits for Anne Murray:  “Our publisher Henry Hurt put us [Rory and Charlie Black] together. The song ‘Shadows in The Moonlight’ was the result of what Charlie brought to the table. Of course, it was a super hit for Anne Murray. Tanya Tucker had a top ten hit with a song my co-writer Mike Reid and I wrote, ‘It’s Only Over For You.’”

Next circle around, Rory played ‘You Look So Good In Love,’ a super hit for George Strait. He did the Charlie Rich mega hit song, that was number one on the charts in the US, UK and Canada, ‘The Most Beautiful Girl,’ that he co-wrote with Norris Wilson and Billy Sherrill. Rory did a medley of super hits, as the final Fireworks! Hits included ‘I Know a Heartache When I See One’ (a hit for Jennifer Warnes in 1979, it was also cut by Jo Dee Messina and appeared on her ‘I’m Alright’ album), ‘Little Red Rodeo’ (co-writers Charlie Black and Phil Vassar) and ‘Bye Bye’ (co-writer Phil Vassar) by Jo Dee Messina.

Greg Friia: I have known Greg for almost 20 years, so to see and HEAR his success is very heartwarming and makes me proud of my friend. He kicked off his part with a song he and co-writers Casey Beathard and Steve Padilla wrote called ‘Me Before You.’  On the next pass, he played the Bonnie Tyler cut, ‘You Try’ that he co-wrote with Anthony Little, Mary Danna and Andrew Lane.

Then he played ‘I Smell Smoke,’ a song he and Jimmy Nichols and Danielle Peck co-wrote and is coming out by Rachel Holder, a new artist on Curb Records. I can’t wait to hear Rachel sing this song with her power-house vocals. As a special treat, Greg brought up Chas Sandford who kicked it into gear with his massive hit ‘I Ain’t Missing You’ for John Waite.

Greg told the story of the next song: “It was cut by the Rascals, couldn’t come up with a title so they called it ‘Love Song.’” Greg finished with his final song that he wrote with Scott Reeves titled ‘Summer Time.’

I was just one big smile through the whole thing, especially with having met Rory in 1984.

The stage sponsor for this event was D’Addario, manufacturer of musical instrument strings and accessories.

Note: Due to an editing error, in an earlier version of this post, the show’s location was misidentified. The correct venue was Station Inn. Also Chas Sandford’s name was misspelled. Apologies for the errors.

Music Row One Sheet, April 2018

Nashville Music News Roundup

Scroll down to read these Music Row One Sheet news items

  • How artists and songwriters can stay safe on social media
  • Bellamy Brothers still touring! Exclusive interview
  • Copyright Royalty Board OK’s big raise for songwriters
  • ACM Lifting Lives: stars turn out in Vegas
  • The Outlaws, Blackhawk benefit MusiCares, cancer research

Scroll down to read these Music Row One Sheet news items

Social media safety vital for singers, songwriters

Staying safe on social media is important for everyone, but it can be vital for young singers, musicians and songwriters who are posting photos and information about themselves as a way to build a following and boost their careers. However, your posts at Facebook, Twitter and Instagram can also attract stalkers, cyber-scammers and identity thieves.

For a helpful guide to staying safe online, read this article by Jim Akin posted on Experian’s website.  Among Jim’s recommendations: adjust your Facebook privacy settings and uncheck the ‘Discoverability’ boxes in Twitter’s safety and security controls. He also suggests being discreet about your whereabouts on social media.  He explains how to disable location tagging on Twitter, Facebook and Instagram.  Read the full article for many more helpful online safety tips.

Bellamy Brothers still circling the globe

David (left) and Howard Bellamy. Photo: Preshias Harris

The Bellamy Brothers remain hugely popular both in the USA and overseas.  They have been touring almost nonstop for more than 40 years. They have written a new autobiography titled ‘Let Your Love Flow: Life and Times of the Bellamy Brothers’ that will be available this month. Additionally, ‘Honky Tonk Ranch,’ a TV show about their hectic lives, is set to air in the USA on the Cowboy Channel.

I caught up with Howard and David Bellamy while they were on a brief break between international tour dates, and we sat down in Nashville to talk about their new projects. My exclusive interview with the Bellamys has now been posted at Country Music News International, a blog based in Germany.  You can find the full interview here.

Songwriter royalties: ‘significant increase’

The Copyright Royalty Board (CRB) has released its ruling on mechanical rates for songwriters for 2018 – 2022. This decision is the result of a trial that took place between March and June of 2017 with NMPA and the Nashville Songwriters Association (NSAI), representing the interests of music publishers and songwriters against Google, Amazon, Apple, Spotify and Pandora.

The court’s decision includes a significant increase in the overall percentage of revenue paid to songwriters from 10.5% to 15.1% over the next five years – the largest rate increase in CRB history. Additionally, the CRB removed the Total Content Cost (TCC) cap, giving publishers the benefit of a true percentage of what labels are able to negotiate in the free market resulting in significantly higher royalties for songwriters.

The CRB also increased the TCC rate resulting in the most balance between record label and publishing rates in the history of mechanical licensing. In addition, the CRB granted a late fee which will dramatically alter the licensing practices of digital music companies. Read the full press release from NSAI here.

ACM is ‘Lifting Lives’ in Vegas

With the ACM Awards just around the corner, it seems like half of Nashville is heading to Las Vegas.  The stars and their crews will be getting there early for ACM’s ‘Party For A Cause.’ On Friday, April 13, The Joint at the Vegas Hard Rock is the venue for ‘ACM Stories, Songs & Stars,’ a songwriters’ event benefitting ACM Lifting Lives, the philanthropic arm of the Academy of Country Music dedicated to improving lives through the power of music. Among those scheduled to appear: Lee Brice, Midland, Thomas Rhett, Cole Swindell, Rhett Akins, Ashley Gorley, Shane McAnally and more, The event will be hosted by Storme Warren.

The next morning, Saturday, April 14, Darius Rucker and Charles Kelley host ACM Lifting Lives Top Golf Tee-Off at the MGM Grand’s Top Golf. Among the celebs who have signed up: Chris Lane, Levi Hummon, Raelynn, Eric Pasley and more.

It’s back to the The Joint at the Hard Rock Hotel & Casino Sunday night for the Official After Party with performances by Lauren Alaina, Lee Brice, Luke Combs, Cassadee Pope, Jerrod Niemann, Tracy Lawrence and more.

Anything else? Oh yes! Almost forgot. The ACM Awards will be broadcast live from Las Vegas, Sunday, April 15, 8:00pm / 7:00 Central on CBS, hosted by Reba McEntire. The show will pay tribute to the victims of the mass shooting at the Route 91 Harvest festival.

Since 2008 ACM Lifting Lives has given more than 8 million dollars to more than 150 worthy causes and supports many projects throughout the year to create awareness and help those in need.

Blackhawk and The Outlaws make $$ donations to MusiCares and cancer research

Last week in Nashville, Henry Paul and Dave Robbins, members of country group BlackHawk, as well as southern rock band The Outlaws, paid visits to the Vanderbilt-Ingram Cancer Center and MusiCares to deliver donations raised for each organization.

L to R: Debbie Carroll (MusiCares Sr. Executive Director), Henry Paul (BlackHawk / The Outlaws)

Paul and Robbins presented a $40,000 check to Vanderbilt (on behalf of BlackHawk’s “Van Stephenson Memorial Cancer Research Fund”) and a $20,000 check to MusiCares (on behalf of The Outlaws’ “Fallen Outlaw Fund”).

“The ‘Van Stephenson Memorial Cancer Research Fund’ and ‘The Fallen Outlaws Fund’ were both formed to help give back to two very worthwhile causes in the name of BlackHawk and Outlaw fans, respectively,” says Paul. “Raising money for cancer research at the Vanderbilt Ingram Cancer Center and also for MusiCares, an organization that helps fund healthcare costs for uninsured musicians, is the cause. Honoring former founding BlackHawk member Van Stephenson and former founding Outlaws members Hughie Thomasson, Billy Jones and Frank O’Keefe, by perpetuating their memory in the name of these two charities, is our goal.”

Visit Blackhawk’s and The Outlaws websites. To find out more about the MusiCares program click here.

Music Row One Sheet copyright (c) 2018 Preshias Harris and Nashville Music Line LLC

Nashville is a ten-year town

7 inspiring stories from stars who stayed the course – and won

If you are an aspiring artist or songwriter, there will be times when it feels like your creative career is going nowhere. A little voice in your head is telling you that if you’re going to ‘make it,’ you’d have done it by now.  Worse still, that voice might be coming from a well-meaning family member nudging you to give it up and come back home. Right now, you need inspiration and encouragement. And maybe some stories about ‘making it in Music City’ to tell the folks back home.

“Success isn’t overnight. It’s when every day you get a little better than the day before. It all adds up.” – Dwayne Johnson

Nashville is a ten-year town. If we needed any proof, we need look no further than the recent spate of Number One parties and the artists and songwriters whose songs were being honored.

Jon Pardi

Jon Pardi

During the celebration for his two No. 1 hits, ‘Dirt on My Boots’ and ‘Heartache on the Dance Floor,’ Jon Pardi mentioned that he arrived in Music City ten years ago and even before that, he was writing songs and playing in bands from his early teens. In fact, it has taken him well over a decade to get where he is today, as an established artist with a solid track record.

“Thank you so much for believing in me. I’ve been here for a while now and Feb. 23, 2008 is when I moved to town. Ten years later, I have three number ones and we’re at a double number one party. Thank you. Thanks for believing in me.” – Jon Pardi

Kip Moore

Kip Moore. Photo: John Shearer

A few days earlier, Kip Moore and the writers of ‘More Girls Like You’ were being honored for their chart-topping success. Moore had moved to Nashville in 2004 and signed a songwriting deal. It was eight more years before he was signed to a recording contract with MCA.

It wasn’t an easy time for Moore, but he kept his eyes on the prize as the years progressed.   He told me during the Number One party what kept him going: “It was knowing I wasn’t going to be happy doing anything else.  There was no Plan B.” He also noted, “It was a battle to keep one foot in front of the other.”

Brett Young

Brett Young

Brett Young co-wrote his recent No. 1, ‘Like I Love You,’ with Jesse Lee and both have paid their dues on the road to success. Young had been writing songs and performing for fourteen years before he even got to Nashville and signed a record deal with BMLG.

Young’s previous chart-topper, ‘In Case You Didn’t Know,’ marked him as the first Country artist to gain an RIAA Platinum certification in 2017, and the song went on to reach the 2X Platinum sales mark.

Jesse Lee

Jesse Lee

Jesse Lee had to overcome disappointment on her way to becoming a hit songwriter. She had signed a recording contract with Atlantic Nashville in 2007, but her releases met with only limited success. However, she was not about to let this discourage her.

As she said at the Number One party, “People didn’t want me on the radio! So I reinvented myself and started to write.  Then I realized I was getting into publishing companies because of my writing not my artist talents.” Her change of direction paid off, co-writing Kelsea Ballerini’s first No. 1, ‘Peter Pan.’

“it’s been more than a ten-year town for me. It’s been eleven!” – Jesse Lee

Dustin Lynch

Dustin Lynch

Dustin Lynch recently scored his fifth Number One with ‘Small Town Boy,’ but he has invested many years of his young life moving toward that level of success. He grabbed the chance to perform at Nashville’s famed Bluebird Café at the age of sixteen, moving full-time to Nashville in 2003. While studying at Lipscomb University, he continued to write songs and perform at every opportunity. When he graduated with a B.S. degree in biology in 2007, he decided to stay in Nashville and focus on his music career.

Persistence paid off, and Lynch was signed to Valory Music Group, moving to Broken Bow Records in 2011. It was ten years between that first performance at the Bluebird and signing the record deal with Broken Bow, and a further seven years to this point, establishing him as a successful artist with a string of hits to his credit.

Carly Pearce

Carly Pearce. Photo credit: Preshias Harris

Carly Pearce achieved her first Number One, ‘Every Little Thing,’ at the age of twenty-eight.  She was sure that her future would be in music: at the age of nine, she visualized herself singing on a stage and never gave up on that goal.  At sixteen, she was working at Dollywood, learning stagecraft from more experienced performers.

She moved to Nashville, taking menial day jobs while she worked on building her skills as a songwriter and a singer in the evenings. She remembers sitting at home watching the CMA Awards on TV. She made it her goal to be on that show one day. Her tenacity paid off with a nomination in the ‘New Female Vocalist of the Year’ category at the 2018 CMA Awards.

“I wouldn’t change anything about my personal journey in the industry.  I had to figure out who I was as an artist. I’m glad this didn’t happen when I was twenty-one. I wouldn’t have appreciated it as much as I do now.” – Carly Pearce

Buddy Jewell

Buddy Jewell

Think about Buddy Jewell if you want to know about persistence! He started pursuing a career in music in Arkansas in 1982. He learned his craft the hard way, working in gunfighting shows at Six Flags Over Texas and entering talent shows, including one sponsored by the band Alabama. He moved to Nashville in 1993 and found work singing more than 5,000 demos for songs that became hits for artists such as George Strait, Clay Walker and Gary Allan.

Jewell spent years perfecting his vocal skills, networking and preparing for the success that he knew would come if he stayed the course. When his big opportunity presented itself he was ready, winning the first season of Nashville Star. This led to a recording contract with Columbia Records and a self-titled, GOLD-certified Number One album.

Success takes an investment of time

Talent alone is just the starting point to a career in music just as in any other endeavor.  Pushing too hard, too fast means you are more likely to trip and fall.

Jon Pardi, Kip Moore, Brett Young, Jesse Lee, Dustin Lynch, Carly Pearce, Buddy Jewell. Scroll up and look again at when they arrived in Nashville, when they began to achieve success and what they did in between.

Their stories are just a few examples of artists and songwriters who understand that the road to success is a marathon not a sprint.  If ever you need encouragement, go online and research the timeline of almost any star singer or songwriter. Quite often, ‘ten years’ is the least they invested in pursuit of their goals.  Remember that you are studying for a ‘Doctorate in Songology’(R) and every day is one more investment in your own success story!

  • In my next post, I’ll suggest ten ways to stay focused on success by moving your career forward, one day at a time.

Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com

‘Craving You,’ ‘Unforgettable’ score No. 1 awards

 Thomas Rhett picks up ‘Gold’ album, too

Nashville is turning into a party town. A ‘Number One’ party town, that is, with frequent festivities to honor the writers of recent chart toppers.

It was a ‘twofer’ party for Thomas Rhett on February 16, as the writers of two of his recent hits, ‘Craving You’ and ‘Unforgettable,’ were recognized for their achievements.  The party at Von Elrod’s was jointly hosted by ASCAP and BMI, commemorating Rhett’s eighth and ninth career Number Ones.

(L to R) Julian Bunetta, Jesse Frasure, Ashley Gorley, Thomas Rhett, Shane McAnally, Dave Barnes and Dann Huff attend the BMI Thomas Rhett # 1 Party on February 15, 2018 in Nashville, Tennessee. (Photo by Jason Kempin/Getty Images for BMI)

Dave Barnes and Julian Bunetta were recognized for writing Rhett’s RIAA Platinum-selling mega hit, ‘Craving You,’ that also featured the voice of Maren Morris. Interestingly, it was not certain that ‘Craving You’ would be released with the Maren Morris backing vocals. Versions were mixed both with and without Maren’s vocals. On comparing the two, Rhett and his team decided that the ‘with’ version was better, even though he had originally felt that ‘Craving You’ wasn’t really a duet song.

Jesse Frasure, Ashley Gorley and Shane McAnally co-wrote “Unforgettable” with Rhett, released as the second single from Rhett’s 2017 album, ‘Life Changes.’  Frasure, Gorley and McAnally are all veteran hit writers with literally scores of No. 1 notches on their belts.

Both Frasure and Gorley better not stray too far: they’ll be back on February 21 to receive awards as writers of John Pardi’s No. 1 hit, “Dirt On My Boots.” co-written with Rhett Akins – who happens to be Thomas Rhett’s dad.

‘Life Changes’ goes GOLD

(L-R): Big Machine Label Group’s Nicole Csabai, BMLG’s Mike Rittberg, G Major Management’s Virginia Davis, Thomas Rhett, BMLG’s Scott Borchetta, BMLG’s Allison Jones, The Valory Music Co.’s George Briner and BMLG’s Jake Basden. Photo Credit: Jason Kempin/Getty Images

If that wasn’t enough, Rhett was also surprised with a plaque to commemorate ‘Life Changes’ (The Valory Music Co.) earning RIAA Gold Certification for achieving 500,000 units sold less than six months after its release. Additionally, his current Top 5 single “Marry Me” has been certified Gold as it continues to climb the Country radio charts.

As a songwriter, Thomas Rhett is a force to be reckoned with. Next week, Thomas Rhett will be recognized as a CMA Triple Play Award recipient, which honors songwriters who have penned three No. 1 songs within a 12-month period (“Die A Happy Man,” “Star of the Show” and Michael Ray’s “Think A Little Less”).

Rhett is keeping up the momentum with his ‘Life Changes Tour 2018,’ set to kick off in April. For more information and for a full list of upcoming tour dates, visit www.ThomasRhett.com.

Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com

Kip Moore, songwriters celebrate No. 1

‘More Girls Like You’ lead single from ‘Slowheart’

(L to R): Steven Lee Olsen, David Garcia, Kip Moore, Josh Miller. Photo credit: Preshias Harris

MCA Nashville artist Kip Moore was at The Hutton Hotel’s Analog on Tuesday, February 13 to celebrate with fellow songwriters of his newest Number One, “More Girls Like You.” The party, co-hosted by ASCAP and BMI, honored the song’s four writers David Garcia, Josh Miller, Steven Lee Olsen and Moore.

“More Girls Like You” is the lead single from Kip’s third studio album, Slowheart, following 2012’s Up All Night and 2015’s Wild Ones.

Kip has undeniably paid his dues on his trek to stardom. He made his first public appearance singing at a Mellow Mushroom in Valdosta, GA, and moved to Nashville in 2004. He was signed to a songwriting deal with the help of producer/songwriter Brett James. It would be a further eight years before Kip was signed to a recording contract with MCA.

“There was no Plan B”

During the media session before the award presentation, I asked Kip what he did with his career during those long eight years to keep his eyes on the prize. With a smile, he said, “It was knowing I wasn’t going to be happy doing anything else.  There was no Plan B.” He admitted, however, “It was a battle to keep one foot in front of the other.”

(L to R): BMI’s Bradley Collins, songwriters Steven Lee Olsen, David Garcia and Josh Miller, Moore and ASCAP’s Evyn Mustoe. Photo credit: Ed Rode

The four writers reminisced about the way “More Girls Like You” came about. Steven Lee Olsen (whose first No. 1 as a writer was the Grammy-nominated “Blue Ain’t Your Color” for Keith Urban) noted that when the writers got together, “something magical” happened. “We started talking and that’s how it started.”

“It started falling together fast,” added Kip. “They knew where my head was, coming back from Cost Rica!”

“Kip almost didn’t show up,” said Josh. “He was headed to the lake for some wake boarding.”  We were reminded that Kip has a passion for the water, having been something of a ‘beach bum,’ surfing in Hawaii before making the commitment to come to Nashville.

Discussing tour plans, Kip said he is joining Luke Bryan on his ‘What Makes You Country’ Tour.  “Luke has always been a gracious and nice guy,” said Kip. “I’m looking forward to touring with Luke and the Cadillac Three.”

CMA Songwriters’ Series in Europe

Kip will soon be crossing the pond for concerts in Dublin Ireland, Glasgow Scotland and London England as part of the CMA Songwriters’ Series. He’ll be joining his old friend Brett James for the European dates, along with Luke Combs, Natalie Hemby and Nicolle Galyon.  In addition to a packed U.S. tour schedule, Kip also has 2018 shows booked in Canada and Australia.

Kip’s story of his arduous journey to the top is yet another reminder to aspiring artists and songwriters that there is no such thing as ‘overnight success.’   There will always be a battle to ‘put one foot in front of the other’ as he put it. For Kip, there was no Plan B.

For tour dates and more info on Kip Moore’s new album Slowheart, go to http://www.kipmoore.net

# # #

Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com

Brett Young celebrates third No 1, “Like I Love You”

“We used our own money to cut the demo”

Jesse Lee and Brett Young answer questions before the No. 1 party. Photo: Preshias Harris

Big Machine Label Group’s Brett Young celebrated his third Number One at a party honoring him and co-writer Jesse Lee, Monday, February 12.  “Like I Love You” is his third chart-topper and comes just over a year since the release of his debut self-titled album.  The party was co-hosted by ASCAP and BMI.

Brett is one of only three acts in the Country music genre to achieve RIAA ‘Gold’ certification for an album released in 2017.  His breakout single, “In Case You Didn’t Know,” has already reached 3X Platinum status, making him the only debut artist since 2014 to achieve that level. He is also the only new Country artist with a 2017 song to go multi-Platinum, too. All three Number Ones are from his debut album.

Second No. 1 for Jesse Lee

Pictured (L-R): Scott Borchetta, BMI’s David Preston, Jesse Lee, Ole’s John Ozier, Brett Young, ASCAP’s Michael Martin, BMLG Records’ Jimmy Harnen and Big Machine Music’s Mike Molinar. Photo Credit: Ed Rode

Co-writer Jesse Lee was celebrating her second No. 1 as writer, following 2016’s “Peter Pan,” a hit for Kelsea Ballerini.

“Like I Loved You” spent three weeks at Number One, but its release as a single was by no means a guarantee, following the success of Brett’s two previous hits.

“My first two singles were happy love songs,” said Brett at a pre-presentation media session. “Then Jesse and I wrote this one that is really different. My songs are like my babies. A part of me is attached to that song,” he noted. “I fought for getting this song on my record. We used our own money to cut the demo.”

Speaking about the writing session that resulted in “Like I Love You,” Brett said that this was a different kind of co-write, too. “We’d never met before.  We went to lunch then came back and wrote it. That was in late 2014.”

The long road to Nashville

Both Brett Young and Jesse Lee might seem like newcomers, but as with most successful people, that isn’t really the case. At the media session, Brett noted that he’d been playing and performing for 14 years before moving to Nashville.

Jesse Lee is not new to the music business either. Signed to Atlantic Nashville in 2007, Jesse had some minor chart success as a recording artist, but then took a different path.

‘I reinvented myself and started to write’

Jesse Lee

Speaking of her early career as an artist, she said, “People didn’t want me one the radio! So I reinvented myself and started to write.  Then I realized I was getting into publishing companies because of my writing not my artist talents.”

Reminded that Nashville is often referred to as a ‘ten-year town’ when it comes to developing a career in music, Jesse laughed and said, “it’s been more than a ten-year town for me. It’s been eleven!”

Speaking about the diversity of his musical styles and interests, Brett said, “I grew up with rhythm and blues and soul music, so You will hear the soul in my music.”

Brett is about to head out on Thomas Rhett’s ‘Life Changes Tour 2018’ this spring.  Find tour updates at brettyoungmusic.com.

“it’s been more than a ten-year town for me. It’s been eleven!” Jesse Lee

ASCAP “I Create Music” Expo 2018 set for May 7 – 9

Unforgettable experience” for music creators

ASCAP has announced the first wave of music creators who will take the stage at their 2018 “I Create Music” EXPO. Among these ASCAP members from across genres and generations are multi-platinum recording artist Jason Mraz, Grammy Award-winners Marc Cohn, Darrell Brown and Dan Wilson, multi-time ASCAP Latin Songwriter of The Year selection Claudia Brant, jazz legend Marcus Miller, Songwriters Hall of Fame inductees Desmond Child and Paul Williams, rising pop star Billie Eilish and her close collaborator Finneas O’Connell. Now in its 13th year, the ASCAP “I Create Music” EXPO is the largest conference of its kind in the United States, attracting over 3,000 music creators for three days of panels, workshops, master classes, keynotes and one-on-one sessions with the industry’s top hitmakers.

The 2017 “I Create Music” EXPO included nearly 200 panelists from across the music business covering dozens of compelling topics, from Congressional legislation benefiting songwriters to expanding the role of women in film music to a case study with the team behind Justin Bieber’s Purpose. The 2018 EXPO will feature a comparable amount of panels and panelists, with a host of noteworthy lineup additions planned for the coming months. This will include the announcement of 2018’s keynote speaker, an honor previously given to Katy Perry, Stevie Wonder, Quincy Jones and Justin Timberlake.

Registration now open

Registration is now open for this year’s EXPO, to be held Monday, May 7 through Wednesday, May 9 at the Loews Hollywood Hotel in Los Angeles. ASCAP’s New Year discount is active on all pricing levels through February 14 at www.ascap.com/exporegister.

Ashley Gorley named Songwriter of the Year

Blake, Kelsea, FGL also win top awards

(L-R): MusicRow Publisher/Owner Sherod Robertson, Ashley Gorley and MusicRow Chart Director Alex Kobrick. Photo: Preshias Harris

Ashley Gorley has received yet another honor. At the MusicRow Magazine’s 16th annual Country Breakout Awards, Gorley received the Songwriter of the Year Award.  The award goes annually to the songwriter with “the most songs that commanded country radio in … secondary markets,” according to MusicRow Publisher and Owner, Sherod Robertson. It was Gorley’s second consecutive win.

The Awards ceremony was part of MusicRow’s annual ‘Country Radio Meet & Greet’ held at the Listening Room Café in Nashville. As before, it was held during the first day of the Country Radio Seminar (CRS).  Although it is not part of the official CRS program, the event always attracts large numbers of radio air personalities and program directors, as well as members of Nashville’s music community.

Seven Number Ones in 2017

Ashley Gorley. Photo: Tape Room Music

Gorley was honored for the remarkable achievement of co-writing seven Number Ones on the 2017 MusicRow charts. Among those songs: Blake Shelton’s “A Guy With a Girl” that was Gorley’s 30th Number One as a writer.

Gorley’s other MusicRow Number Ones for 2017: Thomas Rhett’s “Unforgettable,” Jon Pardi’s “Dirt On My Boots,” Dierks Bentley’s “Black,” Chris Janson’s “Fix A Drink,” Brad Paisley’s “Today” and Billy Currington’s “Do I Make You Wanna.”  Gorley is also the only songwriter to have received the ASCAP Songwriter of the Year Award five times, a record that he set in 2017.

A native of Danville, Kentucky, in 2011 Gorley partnered with Combustion Music and Warner/Chappell Music to start up Tape Room Music, his own music publishing company.

Blake, Kelsea Artists of the Year

Blake Shelton. Photo: MusicRow

At the Country Breakout Awards, Blake Shelton earned the Male Artist of the Year Award for more spins than any other male artist on the MusicRow Country Breakout Chart, achieving 83,208 spins reported by stations on MusicRow’s panel. His spin total included three No. 1 hits on the Country Breakout chart: “I’ll Name The Dogs,” “A Guy With A Girl” and “Every Time I Hear That Song.”

Kelsea Ballerini. Photo: Sara Barlow/MusicRow

Kelsea Ballerini was recognized as Female Artist of the Year with 80,928 reported spins. Kelsea had two No. 1s on the MusicRow Country Breakout chart with “Legends” and “Yeah Boy.” This was Kelsea’s second consecutive win in this category.

FGL nab 4th win; Combs, Owens honored

Florida Georgia Line

The Group/Duo of the Year Award went to Florida Georgia Line for the fourth consecutive year with 76,938 spins in 2017. FGL’s Brian Kelley and Tyler Hubbard topped MusicRow’s chart with “Smooth” and also with “God, Your Mama and Me,” a collaboration with Backstreet Boys.

Luke Combs. Photo: Louis Brown

Luke Combs received the Breakout Artist of the Year Award. Combs’ songs, including the Platinum-certified hit “Hurricane,” racked up 78,978 spins on reporting stations. His debut album, ‘This One’s For You,’ has already been certified Gold by RIAA.

Shane Owens

Shane Owens took home the Independent Artist of the Year Award, gaining more spins than any other indie artist in 2017 with a total of 33,428 spins. Owens’ songs, including “19” helped him lead the pack of independent artists.

Capitol Records Nashville locked in an unassailable 14th win as MusicRow’s Label of the Year. The UMG imprint scored 457,962 spins in 2017 with airplay from artists such as Darius Rucker, Dierks Bentley, Keith Urban and Carrie Underwood.

The annual MusicRow Country Breakout Awards go to artists, songwriters and labels that have achieved the most spins as reported by secondary market radio stations that report to the MusicRow Country Breakout chart.

Full details and more can be found in the February/March issue of MusicRow magazine and online at musicrow.com.

Six songwriters honored at Number One party

Dan + Shay celebrate two consecutive Number Ones 

What’s better than a Number One party? A DOUBLE Number One party, and that’s what happened Tuesday January 30th for writers of two of Dan + Shay’s recent chart-toppers.  The double-header, co-hosted by ASCAP and BMI, was held at ASCAP’s Nashville HQ.

“From the Ground Up” and “How Not To” are the second and third U.S. Country Airplay chart toppers for Warner Bros. Nashville artists Dan + Shay (Dan Smyers and Shay Mooney) following 2015’s “Nothing Like You,” a cut from the album WHERE IT ALL BEGAN.  The two latest Number Ones are both cuts on OBSESSED.

The honorees for “How Not To” were songwriters Kevin Bard, Paul DiGiovanni and Adam Hambrick. Publishing honors went to Kevin Bard Music, Ole Red Cape Songs, Paulywood Music, Sony ATV Music Publishing, Red Like The Sunset Music and Universal Music.

Accepting songwriters’ awards for “From the Ground Up” were Chris DeStafano, Shay Mooney and Dan Smyers, while the publishers’ nod went to Beats and Banjos, CDS Words & Music, Shay Mooney Music, Sony ATV Publishing and Warner/Chappell Music Publishing.

Inspired by grandparents’ long-lasting love

From left: Dan Smyers, Shay Mooney, Chris DeStafano talk during media session. Photo: Preshias Harris

At a pre-presentation media session, Dan, Shay and Chris talked about the origins of “From the Ground Up.” The idea was sparked by a very personal incident. “Driving back from my grandfather’s funeral, we ended up at [Chris] Stefano’s place,” said Dan.  “When Chris stepped outside to take a call, [Shay and I] started talking about how both our grandparents were married for 65 years. it so incredible to married for 65 Years!” It was from that discussion and family memories that the song took shape. “We knew we had something special and it was written in about 45 Minutes,” Dan added.

‘Personal moments’ shape songs

Personal life moments are often the genesis for songs, as Dan and Shay can attest. During the media session, they recalled writing “When I Prayed For You.” The song, about a soon-to-be-father praying for his child, was featured in the movie, “The Shack.”  Shay noted that it was written when he and his wife Hannah were expecting their daughter, Asher. Anticipating the birth of a child in real life added poignancy to the writing, Shay recalled.

Getting back to “From the Ground Up,” Chris DeStefano said, “It’s amazing to me to be part of a song that fans can connect with.” Chris is no stranger to chart toppers, having written or co-written Number One songs for Miranda Lambert, Carrie Underwood, Luke Bryan, Brett Eldredge, Jason Aldean and more. “I won’t ever take it for granted, being a songwriter,” he said.

Wexford, Pennsylvania, native Dan Smyers and James Shay Mooney (from Natural Dam, Arkansas) met in Nashville in December 2012 and began songwriting together. They were quickly signed to Warner/Chappell Music. The following year, their first single – “19 You + Me” – went to Country radio.  Although it never topped any chart, the song continued to sell steadily since then and has since been certified Platinum by RIAA.

Pictured (l-r): Songwriters Chris DeStefano, Paul DiGiovanni, Kevin Bard, Adam Hambrick and Dan+Shay’s Dan Smyers and Shay Mooney. Photo: Ed Rode/ASCAP

On the road with Rascal Flatts

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