Hit writers inducted into Nashville Songwriters Hall of Fame

Classes of 2020 and 2021 honored at double gala event

by Preshias Harris

It was a scintillating evening of songs, stars, special memories and – above all – some of the worlds finest songwriters being honored by their peers when The Nashville Songwriters Hall of Fame welcomed ten new members to its ranks.

Garth Brooks paying tribute to Kent Blazy during his induction into the NaSHOF. Photo: Preshias Harris

It was a unique gala: because of the pandemic, the 2020 gala was postponed so it was double the pleasure, double the fun as the Classes of both 2020 and 2021 were inducted at the same ceremony as part of the NaSHOF’s supersized 50th and 51st Anniversary Hall of Fame Gala. The musical contributions of the newest inductees were celebrated through star-studded performances of some of their biggest songs for the capacity crowd at Nashville’s Music City Center.

The Class Of 2020: Kent Blazy and Brett James in the songwriter category; Spooner Oldham in the veteran songwriter category, Steve Earle in the songwriter/artist category and Bobbie Gentry in the veteran songwriter/artist category.

Class of 2020 Pictured (l-r) are: NaSHOF Board Chair Sarah Cates, inductees Brett James, Kent Blazy, Steve Earle, Spooner Oldham and NaSHOF Executive Director Mark Ford. Photo: Bev Moser

The Class of 2021:  Rhett Akins and Buddy Cannon in the songwriter category; John Scott Sherrill in the veteran songwriter category; Toby Keith in the songwriter/artist category and Amy Grant in the veteran songwriter/artist category.

Class of 2021 Pictured (l-r) are:  NaSHOF Board Chair Sarah Cates, Inductees Rhett Akins, Toby Keith, Buddy Cannon, Amy Grant and John Scott Sherrill and NaSHOF Executive Director Mark Ford. Photo: Bev Moser

The inductees and the musical guests who honored them shared so many fascinating stories and insights about how they reached the pinnacle of their artistry.

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Nashville Songwriters Hall of Fame to induct five of Music City’s finest

Class of 2021 and Class of 2020 to be honored at November Gala

By Preshias Harris

Country music fans think of Nashville as a city built on the success that many Country recording artists found in the studios of Music City.  But the artists themselves will readily tell you that the real stars are the songwriters.  When Number One parties are held in Nashville, they celebrate the songwriters who wrote the chart-toppers, rather than the singers and bands on the recording. The 1982 hit song “16th Avenue” (written by Thom Schuyler and recorded by Lacy J. Dalton) summed it up this way: “God bless the boys who make the noise on 16th Avenue,” referring to one of the streets than comprise Nashville’s fabled Music Row. 

For many years, the songwriting community mainly consisted of “boys” (and old boys) and while more females are now seeing their names on songwriting credits, only one female writer will be among the inductees into the Nashville Songwriters Hall of Fame Class of 2021.  

Amy Grant, Toby Keith, Rhett Akins, Buddy Cannon and John Scott Sherrill will be inducted into the Hall this November, according to an announcement made July 13 by Sarah Cates, chair of the Nashville Songwriters Hall off Fame Foundation board of directors, and Mark Ford, its executive director.

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Brantley Gilbert and Lindsay Ell celebrate “What Happens in a Small Town”

First No. 1 for Lindsay Ell

By Preshias Harris

Brantley Gilbert and Lindsay Ell got together with co-writers and members of Nashville’s music community to celebrate their Number One hit, “What Happens in a Small Town” on 08 January.

Number One parties are frequently held in one of Nashville’s many bars and honky tonks, but not this one. The celebration was held at Music City Indoor Karting, a go-kart track. There was a good reason for choosing this location.  “I like to go fast. I like to go real fast!” said Gilbert with a grin. “December 18th was eight years without having a drink for me. I can still go to bars and it’s not a problem but it’s not quite as fun for me as it is for most.  But this place, everyone can still drink and have a good time and I can run people into the wall!”

The story behind the song

Brantley Gilbert and Lindsay Ell. Photo: Joseph Llanes

At the media meeting before the award presentation, Brantley, Lindsay and co-writers Josh Dunne, Rhett Akins and Brock Berryhill, talked about how the song, “What Happens in a Small Town,” came about. Brantley said he had recorded and delivered to the label (Valory Music Co / Big Machine Label Group) what he thought was everything needed for the new album, Fire’t Up.

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Thomas Rhett and co-writers celebrate two No. 1s

“Sixteen,” “Look What God Gave Her” feted

By Preshias Harris

It was party time for Thomas Rhett (TR) and his co-writers on October 9 as they celebrated his twelfth and thirteenth No. 1 hits, “Sixteen” and “Look What Gave Her.” “Look” was written by Thomas Rhett along with his father Rhett Akins, Julian Bunetta, John Ryan, Jacob Kasher and Ammar Malik. Thomas co-produced the song with Dann Huff and Julian Bunetta, so it really was a group effort. It is the first single from Rhett’s fourth studio album, Center Point Road. “Sixteen” was penned by Thomas Rhett, Joe London and Sean Douglas.

(L to R) Rhett Akins, John Ryan, Sean Douglas, Thomas Rhett, Joe London and Julian Bunetta. Photo Credit: Preshias Harris

And how many No. 1 songs have been written by a father and son?! In a way, it was destined to be. Growing up as the son of a successful singer-songwriter, he was immersed in the world of music as the son of Rhett Akins. The family moved from Valdosta, Georgia to Nashville when Thomas was still an infant and he grew up knowing his dad’s friends such as Tim McGraw and Brooks & Dunn. He did give a shout out to Tracy Lawrence, one of his favorites growing up country.

“Look What God Gave Her” was certified Gold by the RIAA for 500,000 units in combined sales and streams. It followed his previous single and No. 1 hit, “Sixteen,” a cut on his previous album Life Changes that gave Thomas a total of five Number Ones on Billboard’s Country Airplay chart.

Linking L.A. with Nashville

I said to Rhett Akins, “I watched you start in Country and I’m watching you, Thomas, create your mark in Country music history.” Turning to Thomas, I asked him to tell me about working with his co-writers and how he chose the songs to get to Center Point Road. Looking at Thomas sitting with his co-writers, I commented that they all looked like family. I asked him and his co-writers what it was like, creating these songs together. Continue reading “Thomas Rhett and co-writers celebrate two No. 1s”