Inside Track on Music Row October

October column ready to read now!

The October edition of my monthly column, ‘Inside Track on Music Row,’ is now posted at Nashville Music Guide’s website.  It is the longest continually-running monthly country music column in the USA.

Thanks as always to Amanda and her crew for making ‘Inside Track’ the best looking (and most read) country music feature on the Web!

Among this month’s music news items in the column…

  • Singer-songwriter, Phil Vassar, is bringing his 20 years of hits to venues across the country with Stripped Down, an intimate, acoustic show in 14 cities from coast to coast with more dates to be added… Read the full story here.
  • Jason Aldean has revealed more details behind his next effort 9 (Macon Music/Broken Bow Records), to be released Nov. 22. ACM “Artist of the Decade” Aldean offers 16 interwoven tracks in an era of stand-alone singles… Read the full story here.
  • Lady Antebellum’s forthcoming album Ocean, set for release Nov. 15 on BMLG Records, marks a new beginning that brings the multi-Platinum trio back to their roots… Read the full story here.
  • The late Ralph Murphy will be honored with the Frances Williams Preston Mentor Award during the Nashville Songwriters Hall of Fame Gala on Monday, Oct. 14. Ralph Murphy lived his life in service to songwriters… Read the full story here.
  • Christmas 4 Kids, a non-profit organization that benefits hundreds of underprivileged children in Middle Tennessee, announced its all-star concert lineup. They including Phil Vassar, Matt Ramsey of Old Dominion, Lonestar, Eddie Montgomery, Craig Wiseman, Jeffrey Steele and more. The show is set for Monday, November 25 at the Ryman Auditorium… Read the full story here.

Plus so many more music news items. See them all in the October Nashville Music Line.

Preshias Harris  is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at   www.collegeofsongology.com   Follow her blog at  www.nashvillemusicline.com

Midland, Highwomen, Phil Vassar, TG Sheppard, Hannah Bethel on Inside Track

Your first look at at October’s Inside Track on Music Row

by Preshias Harris

October will be here before we know it, and so will the October edition of my column, Inside Track on Music Row in Nashville Music Guide.  It’s the longest continually-running Country music column in the USA.  Here’s you first chance to read just a few items that will be included in the column.

  • Double GRAMMY® nominees Midland return with Let It Roll, their second critically-lauded project. … Scroll down to read more
  • The Highwomen—the acclaimed collaborative movement formed by Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires—released their highly anticipated self-titled debut album  … Scroll down to read more
  • TG Sheppard released Midnight in Memphis on September 20. The new project is his first solo country album in more than 20 years … Scroll down to read more
  • Independent Country/Americana singer-songwriter, Hannah Bethel, has been named as a Featured Artist endorsee of the legendary Gretsch Guitars brand … Scroll down to read more
  • Singer-songwriter, Phil Vassar, is bringing his 20 years of hits to venues across the country with Stripped Down, an intimate, acoustic show  … Scroll down to read more

Continue reading “Midland, Highwomen, Phil Vassar, TG Sheppard, Hannah Bethel on Inside Track”

Garage Tapes: Exile releases long-lost demo treasures

30-track double album launched ‘underground’

by Preshias Harris

Not many bands can claim a history going back fifty-five years with five original members from the 1980s still touring today.  One of those rare bands is Exile who have scored chart hits in both the pop and country genres.

On Saturday, July 13, I spent the afternoon underground with Exile. The band was celebrating the release of their new album, The Garage Tapes, in The Caverns in Pelham, Tennessee.  It was sweltering hot and humid outside but refreshingly cool inside the Caverns as Exile took the stage to answer questions during the sound check prior to the show.

Exile perming at The Caverns for the release of ‘The Garage Tapes.’Photo: Bev Moser, B! Noticed P.R.

The Garage Tapes is a 30-track double album consisting of tracks that have remained largely unheard since they were recorded between 1979 and 1982.  In answer to my question, Exile’s J.P. Pennington said the tracks were originally just demos (demonstration recordings) of songs that were recorded at LEMCO Studios in Lexington, KY.

“Cecil Jones, the owner of LEMCO was a big fan of ours,” said J.P.  “So that’s how it sort of came about. In exchange for us working as session musicians, he’d give us studio time.  We’d go in there almost every night for weeks, months.” Continue reading “Garage Tapes: Exile releases long-lost demo treasures”

July ‘Inside Track on Music Row’

Column posted and ready to read now

My monthly column, ‘Inside Track on Music Row’ is now posted at Nashville Music Guide’s website.  It is the longest continually-running monthly country music column in the USA.

As always, my thanks to Amanda and the NMG staff for making ‘Inside Track’ the best looking (and most read) country music feature on the Web!

Among this month’s 30+ music news items in the column…

  •  Exile to celebrate new double album with fans & industry, July 13
  • Brett Young’s Acoustic Sessions EP set for September release
  • Blake Shelton joins Garth Brooks in ‘Fun’ Dive Bar duet
  • NAMM Music Industry Day set for July 20
  • Scroll down for brief summaries and links
ALBUM NEWS

A little over forty years have passed and over 8 million records have been sold, including three Gold records and eleven number one hit songs since Exile began making music in a small garage in Lexington, Kentucky making demos of their songs. Exile will now share their most current CD project, Exile – The Garage Tapes.  The 30 song, two CD compilation is set for release in the upcoming weeks.  Industry and fans are invited to celebrate at a VIP CD release event to take place in the cave at The Caverns in Pelham, TN on July 13. … Read the full story here. Continue reading “July ‘Inside Track on Music Row’”

Marty Brown is back with ‘American Highway’

First studio album in 20+ years

Marty Brown is truly an irrepressible and unique personality in the world of Country music as anyone who has seen him play live can tell you. The Maceo, Kentucky, native came to Nashville and recorded several albums in the 1990s that garnered a lot of critical acclaim.

He then took a break from recording but was co-writing songs for other artists including Brooks and Dunn, Trace Adkins and Tracy Byrd.

America’s Got Talent brought him new fans

Marty Brown. Photo credit: America’s Got Talent

Marty found an entire new audience with his appearance on the eighth season of America’s Got Talent. The YouTube clip of his audition generated more than 11 million views. He reached the semi-finals, endearing himself to viewers and listeners with his voice and his lovable character.

He is now back with American Highway, his first studio album in more than twenty years. It is set for release May 17, 2019. Continue reading “Marty Brown is back with ‘American Highway’”

Lockeland harmonizing ‘Til The Cows Come Home’

Trio’s new single due out March 8

Kyndon Oakes, Mark Vikingstad and Michael Boris make up the trio known as Lockeland.  They were drawn to Nashville by their mutual love of music and have been writing and performing together now for several years.

Lockeland

Each brings a unique music vibe that blends them together as a trio.  Kyndon began singing alongside family members before moving to Nashville in 2009, originally to pursue a solo career.  Mark says he joined his high school band “because chicks dig it.” He moved to Music City just days after receiving his BA diploma in Music Business from SUNY Fredonia. Michael grew up in Apalachin, NY, but moved to Nashville to attend Belmont University, graduating with a degree in Commercial Music Percussion.

Til The Cows Come Home

Together they create a three-part harmony that gives them a unique edge in the world of contemporary country music.

They are about to break out with their infectious debut single, “Til The Cows Come Home,” released March 8, 2019.  Check out their website here.

A couple of days before Country Radio Seminar (CRS) hit town, we met up to talk about their new single and how they make music together.

Trio ‘locked in the land’

How did you come up with the group name Lockeland?

Kyndon:  When we came together to form the group, we were trying to come up with a name and we kept texting each other with all these different names that we thought would work best. We fell on Lockeland just by chance. Mark and Michael are from New York and I’m from Kansas, and we ‘locked the land’ in between and met in Nashville. Plus it helps that Nashville is landlocked, so we settled on Lockeland.

Looking at your set list, it seems you’re open to playing music from a lot of different genres. What do you think of as your musical influences?

Michael:  That’s one of the very cool things I love about this band because we all come from very diverse musical backgrounds. I started playing drums when I was eleven. I played a lot of ‘fife and drum core’ stuff.  Then I moved into classical music, then I started listening to hard rock and a lot of punk, stuff like that. When I moved to Nashville, I simply hadn’t listened to a whole lot of Country. But when I moved here eleven years ago, I gave it a try and I was like, “You know what? There’s a lot of really great music here.” So there’s honestly not a music genre that I, personally, don’t like. I love R&B, rock, funk, country. I think that’s kind of the same for all of us.

“When people come up to you after the show and they’re talking to you and giving you that feedback, that’s when you know you’ve had a good show.  You can feel that. You can feel the energy. They’re singing along, they’re clapping along, they’re in it.” – Kyndon Oakes

Continue reading “Lockeland harmonizing ‘Til The Cows Come Home’”

Darius Rucker reunites with Hootie and the Blowfish during surprise CRS appearance

Keith Urban forgets words to new song

Darius Rucker

CRS featured an unforgettable show at the Ryman Auditorium in Nashville as Darius Rucker reunited with his Hootie and the Blowfish bandmates.  Unforgettable? Well… Keith Urban DID forget the words to his new song, which made the show unforgettable for a forgetful reason!

Universal Music Group Nashville (UMG) invited attendees of this year’s Country Radio Seminar (CRS) to a lunchtime showcase at the Ryman Auditorium on February 14.  CRS, now in its 50th year, is the world’s largest gathering of radio decision-makers and the recording artists who wish to interact with them.

Little Big Town at UMG at the Ryman. Photo: Harris

Royce Risser, UMG’s Executive Vice President of Promotion emceed the event, getting in a few witty ‘digs’ at radio execs in the audience as he light-heartedly urged them to add these songs to their playlists.  In a fast-moving show, each act came on stage to perform one song – generally a cut that would impact Country Radio in the days or weeks ahead. (See below for a full list of performers.)

Keith Urban debuts “We Were”

Keith Urban came out on stage to perform “We Were,” a song so new that he brought out his cell phone so he could sing and play along to it.  Technology is subject to Murphy’s Law (If anything can go wrong, it will) and the track stopped playing after just a few bars.

Undeterred, Urban re-started the track and, when it once again failed, he carried on singing to just his acoustic guitar. But a minute or so later he suddenly stopped. “Oh my gosh!” he told the audience. “I’ve forgotten the words to this dang song! Can you believe it!”

A less experienced artist might have suffered a total meltdown, blowing a song in front of hundreds of radio professionals who make the decisions about what gets aired. But being a true professional, he picked up the threads of the song and carried on, much to the delight of his audience.  If nothing else, they will all remember Urban’s “We Were” when they get back to their radio stations.

Vince Gill at UMG at the Ryman. Photo: Harris

Later, Vince Gill took the stage and, as he sat on his stool, he jokingly said he had been planning to bring his phone out and play to a track on it. “Keith said that was a really cool idea,” said Gill glancing off to the side of the stage with a smile. Guess no one is going to let Keith forget that.  2019 marks the 30th year that Vince Gill has been with MCA, part of the UMG family of labels. Risser noted that Vince has earned 18 CMA Awards and 20 Grammys, including wins for ten consecutive years.

More highlights of the UMG show

Continue reading “Darius Rucker reunites with Hootie and the Blowfish during surprise CRS appearance”

Nashville Music Guide Special CRS edition

February ‘Inside Track on Music Row’ ready to read now

Nashville Music Guide, February 2019

Just in time for Country Radio Seminar (CRS) 2019, the February issue of Nashville Music Guide is now available with a special print edition in addition to the online version.

Click here, then click on the picture of the February cover.  You can then read the entire magazine on any device.  My column, ‘Inside Track on Music Row,’ appears on pages 25 through 35, with plenty of full-color photos.

You can also pick up a print copy at Nashville music venues and at CRS, taking place at the Omni Hotel, Nashville, February 13 through 15.

Meanwhile here are just a few of the items in my February column. Read the full column at NMG!

  • Randy Houser’s new album ‘Magnolia’ marks new era
  • Bluebird Café’s 37th year as Nashville icon
  • Marshall Tucker Band: no sign of slowing down
  • Marty Brown signs with Plowboy Records
  • TG Sheppard: “I Wanna Live Like Elvis”

Scroll down to read these brief excerpts, then check out the entire column at Nashville Music Guide.

ALBUM NEWS

Randy Houser’s highly anticipated new album, ‘Magnolia’, is now available to stream in its entirety via NPR Music’s First Listen. Houser performed his favorite song from the album, “No Stone Unturned” on Good Morning America in January, and has been making appearances in Nashville, Los Angeles, New York City, Dallas, Houston, New York City (again) and Baltimore in support of the new album including performances on Sirius XM Play, iHeart Radio Theater and NASH FM.

This album marks a new era for Randy. Feeling impassionate, Houser opted to slow things down and set up camp in his good buddy and co-producer Gattis’ studio in East Nashville to recalibrate and rediscover his passion for creating music. He spent nearly two years fully invested in his songwriting which resulted in ‘Magnolia’ and a new sound that is un-polished yet authentically Houser. Continue reading “Nashville Music Guide Special CRS edition”

‘Can’t Be Denied’ – new album from Mark Wayne Glasmire

Glasmire is definitely a romantic

Album review by Preshias Harris

Mark Wayne Glasmire has a voice that could have easily found him as a member of the Eagles if he’d been around a few decades ago. Not that he sounds old-style. Simply that he projects an easy, laid-back vibe that comes across most vividly in “I’ve Got A Feeling,” the first track on his new album, Can’t Be Denied.

Glasmire doesn’t fit the standard Nashville mold. In fact, he had made the move to Nashville but found he wasn’t a writer who could churn out hits on demand. “But I found out pretty quick that you won’t find success until you’re true to who you are,” Glasmire has said. “Don’t try to be somebody else. If  you’re constantly trying to be what somebody else wants you to be, you’re in trouble.” He moved to Arlington, Texas, and found a new energy as both a songwriter and as an artist.

“Those Nights” is a heart-warming mid-tempo about the secure feeling that comes from knowing the one you love loves you too. Similarly, the title track, “Can’t Be Denied,” is sparked by that moment you know you were truly meant to be with someone. That feeling of instant connection continues in the jog-along ballad “Alysia,” inspired by a chance encounter and a single day on a Southern California beach.  Love stays a little longer (but once again in a ‘love at first sight’ song) with “Deep Inside My Heart,” a joyous romp about anticipating the happy ever after.  Yes, Glasmire is definitely a romantic. And there’s nothing wrong with that. Continue reading “‘Can’t Be Denied’ – new album from Mark Wayne Glasmire”

Jimmy Charles finds ‘Hard Way To Go’

Overcoming setbacks inspires listeners

Album review by Preshias Harris

This is an album that has a message that is very close to my heart and my own approach to coping with major issues such as cancer.

 

Jimmy Charles ‘Hard Way To Go’

Jimmy Charles first came to national attention when American Idol sent him to Hollywood.  Now comes a seven-song collection titled HARD WAY TO GO. Produced by Paul David (CeCe Winans, Andre Crouch, Jonny Lang), the EP is a showcase for Charles’ musical range from soulful ballads to guitar-shredding rockers.

Charles spirit on this album demonstrates  that he is more than just a strong and confident vocalist. The EP kicks off in high gear with the guitar-driven “Blue Spaces,” made for happy-go-lucky beach listening. Charles sings: Hey shotgun pilot / the coast is clear / let’s sail out of dodge / like two beach ballin’ buccaneers.  It’s a fun ear-worm that gets the listener in the mood for next summer’s sand-between-the-toes seashore fun.

Anthem of hope and strength

“I Am Not Alone” (also his current single) tells the story of dealing with cancer from the perspective of a teenager, a married man, a young mother and a senior citizen.  The song becomes an anthem of hope and strength as each person in turn finds the determination to carry on.  (On that subject, please read my personal note, at the foot of this review.) Continue reading “Jimmy Charles finds ‘Hard Way To Go’”