Catch up on more than thirty music news items in the October 2018 edition of my column, Inside Track on Music Row. The entire column (and a whole lot more) is now posted here at Nashville Music Guide, complete with photos, videos and graphics. Thank you NMG editor Amanda Andrews! You always make the column look SO good.
The column is the longest-running Country music column in America. Scroll down for a sneak peek at just a few of the items in the October column.
Bluebird to host ‘Women Who Write’
Carlene Carter
Grammy nominated singer/songwriter Carlene Carter will host an October residency at Nashville’s famed Bluebird Cafe. Aptly titled ‘Wonderful World of Women Who Write,’ the series will feature some of her favorite female songwriters and collaborators. Lilly Hiatt and Elizabeth Cook will be featured at the October 2 show. Lauren Morrow and Pam Tillis are scheduled for October 16, and Gretchen Peters and Matraca Berg will join Carter on October 30. All shows are 9 p.m. Central. Reservations will be available on a pre-paid basis for $25.00 one week ahead of each show date at The Bluebird Cafe website. bluebirdcafe.com.
It’s Christmas in October for Martina McBride
Martina McBride did not let the Nashville summer heat ruin her Christmas spirit, and begins her gift giving with the release of ‘It’s The Holiday Season.’ The 9-song holiday set will be released on October 19, the first with her new record label partner, BMG. McBride also continues her ‘The Joy of Christmas Tour’ tradition, this time bringing to life the harmonic, orchestral sounds on the album by using local symphonies on each stop. For this album, McBride collaborated with the late Patrick ‘Pat’ Williams to arrange a set of classic Christmas songs with accompaniment from more than 40 world-class musicians at the famed Capitol Studio in Los Angeles and Blackbird Studio in Nashville. Details here.
Time flies when you’re having fun. Sixty years? Really? It was party time in Nashville Wednesday as the Country Music Association (CMA) celebrated its 60th anniversary at an invitation-only music industry party at the Wildhorse Saloon.
I came to Nashville in 1990 and quickly realized that the CMA was country music’s biggest supporter, promoter and resource. The CMA started out with just 160 members and has grown to more than 7,400 (including, proudly, yours truly.)
To mark the occasion the United States Senate, House of Representatives, and the City of Nashville, officially proclaimed September 25, 2018 Country Music Association Day.
Country artists and Joe Denim and the All-Star Band join CMA Chief Executive Officer Sarah Trahern and CMA Senior Director of Awards and Industry Relations Brandi Simms to toast CMA’s 60th Anniversary. Photo credit: Tammie Arroyo / Shutterstock
It was a gala evening, celebrating the CMA’s growth and success as well as the artists that have been part of that success. Everybody was there. Michael Ray, Craig Wayne Boyd, Grand Ole Opry member Jeannie Seely, the Gatlin Brothers, Lee Greenwood, Lee Brice, Julie Roberts and the list goes on. More than 20 acts performed 60 years of country hits, backed by my friend Joe Denim and his All-Star Band.
From Jeannie Seely to Lee Brice
After welcoming remarks from CMA Chief Executive Officer Sarah Trahern, Jeannie Seely kicked off the evening with a stunning performance of “Who Needs You.” Michael Ray and Craig Wayne Boyd performed back-to-back Merle Haggard classics, with Ray singing “Okie from Muskogee” and Boyd singing “The Fighting Side of Me.”
Halfway to Hazard performed a tribute to Troy Gentry. Photo credit: Jamie Schramm / CMA
My favorite performance of the event was Halfway to Hazard performing Montgomery Gentry’s “My Town” in a wonderful heartfelt tribute to their own Kentucky boy, Troy Gentry.
Backstage, Lee Greenwood and Larry, Steve & Rudy, The Gatlin Brothers, sang an impromptu version of Greenwood’s hit “God Bless The U.S.A.,” which the Gatlin Brothers provided background vocals for on the original 1984 recording.
Artists joined Trahern and CMA staff on stage for a birthday toast and sing-a-long rendition of “Happy Birthday.” Lee Brice closed the evening with a stellar performance of Hank Williams Jr.’s “Family Tradition.” (See below for the full setlist.)
CMA: the first music genre trade group
Founded in 1958, the Country Music Association is the first trade organization formed to promote a type of music. The organization, which started with 160 members, has grown to more than 7,400 industry professionals around the world representing every aspect of the business. The organization’s objectives are to serve as an educational and professional resource for the industry and advance the growth of Country Music around the world. Find more about the CMA at their website.
The full setlist:
Jeannie Seely – “Who Needs You” (1960)
Larry, Steve & Rudy, The Gatlin Brothers – “Houston (Means I’m One Day Closer To You)” (1983) & “All The Gold In California” (1979)
Michael Ray – “Okie From Muskogee” (1968)
Craig Wayne Boyd – “The Fighting Side of Me” (1970)
Joe Denim & Danielle Peck – “You’re the Reason Our Kids are Ugly” (1978)
Mark Wills – “The Gambler” (1979)
Hilary Williams – “Old Habits” (1980)
TG Sheppard & Kelly Lang – “Islands in the Stream” (1983)
Lee Greenwood – “God Bless The U.S.A.” (1984)
Ty Herndon – “Living In A Moment” (1996)
Mark Collie – “Even The Man In The Moon Is Crying” (1997)
Jamie O’Neal – “There Is No Arizona” (2001)
Halfway to Hazard – “My Town” (2002)
Mark Wills – “19 Somethin’” (2002)
Darryl Worley – “Have You Forgotten?” (2003)
Julie Roberts – “Break Down Here” (2004)
Chuck Wicks – “Stealing Cinderella” (2008)
Michael Ray – “One That Got Away” (2018)
RaeLynn – “Tailgate” (2018)
Lee Brice – “Songs In The Kitchen” (2017), “I Drive Your Truck” (2013), and “Family Tradition” (1979)
Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com
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Music Modernization Act inches closer
Irish artist Mags launches ‘Strong Enough’ radio tour
Garth goes ‘Triple Live’ with free album downloads
Randy Houser launches ‘Magnolia’ tour, new album
Kenny Chesney surprises one millionth fan
Listen to Preshias on Y’All Radio
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Music Modernization Act inches closer
Some encouraging news for songwriters and publishers emerged a few days ago. The Music Modernization Act (MMA) had passed the House unopposed but appeared to hit a potential roadblock as it moved toward a Senate vote.
In May, Senator Ron Wyden (D-Ore.) introduced an alternative bill that conflicted with key parts of the MMA bill. The Recording Industry Association of America (RIAA), with the backing of Nashville Songwriters Association International (NSAI) and National Music Publishers Association (NMPA) has been negotiating with Sen. Wyden to reach a compromise. The RIAA stated that they have reached a ‘handshake’ deal with Sen. Wyden, according to an article in Billboard magazine posted August 28.
However, SiriusXM is still lobbying against the bill that would not require terrestrial radio stations to pay royalties on pre-1972 recordings. Earlier, proponents of the MMA – a bill that is seen as beneficial to songwriters and music publishers – overcame objections to the bill lodged by Blackstone, owners of SESAC and the Harry Fox Agency.
Irish artist Mags launches ‘Strong Enough’ radio tour
Mags McCarthy
Irish-born, singer-songwriter and international recording artist, Mags recently celebrated her debut at country radio here in the USA with the original tune ‘Strong Enough.’ Last week, Mags kicked off the first leg of her radio promotion tour making her way through the Midwest visiting radio stations in Illinois, Iowa and Wisconsin. Continue reading “Music Row One Sheet October 1, 2018”
Tuesday was a celebration of music milestones for Luke Brian and co-writers Sammy Mitchell, Steven Battey and Robert Williford. ‘One Number Away’ was the reason for the celebrations, and for the standing-room-only crowd at the Number One party at the Sutler Basement in Nashville. ‘One Number Away’ is Luke’s third Number One and the third cut from his debut full-length album, ‘This One’s For You.’ The party was hosted jointly by ASCAP, BMI and SESAC.
Pictured (L-R): Sony Music Nashville’s Steve Hodges, Sony Music Nashville’s Shane Allen, MakeWake’s Zebb Luster, Big Machine’s Mike Molinar, River House’s Lynn Oliver-Cline, BMI songwriter Robert Williford, 50 Egg’s Jonathan Singleton, Luke Combs, ASCAP’s Beth Brinker, ASCAP songwriter/producer Steven Battey, SESAC songwriter Sammy Mitchell, SESAC’s ET Brown, Concord Music Publishing’s Brad Kennard, and BMI’s Leslie Roberts. Photo: Peyton Hoge
In a previous interview Luke said, “We aren’t supposed to be here yet.” Hmmmm… let’s check out the stats. In the last 30 days: Recognized the success of Luke’s three number one singles. Debut single ‘Hurricane’ has been certified 3x Platinum while the next follow-up, ‘When It Rains It Pours’ was certified 2x Platinum. Meanwhile, ‘One Number Away’ was certified Platinum and album track ‘Beautiful Crazy’ was certified Gold by the Recording Industry Association of America (RIAA).
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Nashville Songwriter Awards set for Sept 19
Half of UMG up for sale
Kenny Chesney breaks Nashville attendance record
Dan+Shay toast No. 1 with Tequila Tuesday
R.I.P. Aretha Franklin
Catch these acts on tour
Preshias on Y’all Radio podcasts
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Nashville Songwriter Awards set for Sept 19
The star-studded line-up continues to grow for the Nashville Songwriters Association International (NSAI) annual Nashville Songwriter Awards presented by City National Bank.
This event is always a ‘must’ on my calendar as we show our appreciation and respect for Nashville’s incredibly talented songwriters. Country megastar and five-time CMA ‘Male Vocalist of the Year’ Blake Shelton, along with eleven-time GRAMMY nominated singer-songwriter Jamey Johnson and ACM, BMI, and CMT Award winning artist Scotty McCreery will participate in the evening dedicated to songwriters. They will join previously confirmed artists Bill Anderson, Chris Janson and LANCO.
Blake Shelton, Jamey Johnson, Scotty McCreery
Awards given will include Song, Songwriter, and Songwriter-Artist of the Year as well as the coveted ‘10 Songs I Wish I’d Written’ awards. As previously announced, country legend Bill Anderson will receive the Kris Kristofferson Lifetime Achievement Award. This year’s Nashville Songwriter Awards will take place on September 19, 2018 at 7:30pm at the historic Ryman Auditorium. More details and tickets available here.
Half of UMG up for sale
If you’ve got some spare cash laying around, here’s an opportunity: Vivendi is looking for investors to buy 50% of Universal Music Group. UMG includes: Capitol Music Group, Republic Records, Island Records, Def Jam, UMG Nashville and more. UMG revenues were up 6.8 percent for the first half of 2018 compared to 2017 (although physical record sales and downloads were down). The 50% share could be worth around ten billion dollars, but would probably not require the new investment partner to come up with anything like that much cash. See a full report at Billboard here.
‘Singles You Up’ goes Platinum; tops 200 million streams
Jordan Davis and his co-writers got together with music industry colleagues and friends to celebrate a Number One. But it was a unique celebration in more ways than one. ‘Singles You Up’ topped Billboard’s Country Airplay charts in April, triggering the Number One party. The bash, co-hosted by ASCAP and SESAC, was held Monday, July 30, at Nashville’s Fat Bottom Brewery.
[L to R]: Steven Dale Jones, Jordan Davis, Justin Ebach. Photo credit: Catrina EngelbyAdditionally, Davis was presented with a plaque marking RIAA’s certification of the song’s Platinum status. During the ceremony, it was also noted that ‘Singles You Up’ has already chalked up more than 200 million streams. Adding a cherry to that sundae, Country Aircheck stated that ‘Singles You Up’ was the ‘most played’ track on country radio for the first half of 2018.
Jordan Davis
Remarkably, this was his first single release, making all the song’s achievements even more unique.
Davis was joined by his co-writers, Justin Ebach and Steven Dale Jones, during a press session prior to the presentation. I asked all three of them if they had left the writers’ room knowing they had a hit with ‘Singles You Up.’ And could they have imagined scoring 200 million streams?
‘You know you’ve got something’
“When I had my first hit, they didn’t have streams,” said Steven. “I remember loving it [‘Singles You Up’]. I remember getting the demo and playing it for my wife, and that’s usually the key. I play her five songs a year and I write a hundred and fifty. So that’s when you know you’ve got something.”
Justin had a similar story. “I think I was telling my wife last week,” he said. “I wrote ‘Sleep Without You’ for Brett Young which was a big hit and, once again, a first single on a new artist. And I literally told her last week – I was playing a [writers’] round – and I was like, ‘Singles You Up’ is bigger than ‘Sleep Without You.’ I mean both are great, I’m grateful for both of them. But this song has just taken on a crazy life. The speed of it and just how much people are holding on to it… So, no, I don’t think I imagined this! [laughs] You asked if it had happened before and I’m like, kinda, but not like this.”
“I was nervous. I was up early. I was trying to come up with something to bring to the room and show that I’m not just in there for him to write me a song.” – Jordan Davis
‘I didn’t want to screw it up’
[L to R]: Steven Dale Jones, Jordan Davis, Justin Ebach. Photo credit: Peyton HogeJordan had vivid memories of the writing session. “That day, that write was, A., getting to see Justin again, because we’ve written before. And B., trying not to have [Steven] notwrite with me again. I didn’t want to screw it up,” he recalled.
“I knew the name Steven Dale jones and I was nervous. I was up early. I was trying to come up with something to bring to the room and show that I’m not just in there for him to write me a song. I’ve never told him this, but that was the goal of that write. And what came out of it was ten times more than me just walking in and being, like, ‘all right dude, show Steven Dale Jones that you can write a song. Please, just do that.’ So definitely, it exceeded my expectations.”
Justin noted that he writes with a lot of artists but it’s great to work with artists who know their phrasing, they know their lyrics they want to say. “Not every artist can do that, and that’s just a testament to him,” said Justin. “As much as ‘Singles You Up’ was a collective and a group thing and may not be totally always the lyric he would say, it’s definitely come out that, looking across the album, his phrasing is in there. His melodies are in there, his lyric is in there. That doesn’t happen for a lot of artists.”
‘Take It From Me’ climbing charts
Home State, Jordan Davis’ debut album
The follow-up single, ‘Take It From Me,’ is already charting. (#38 for the week of August 4, Billboard Country Airplay chart.) Jordan recalled that there was a lot of discussion about which song would be his first single: ‘Singles You Up’ or ‘Take It From Me.’
“I’ve said this from day one, I fought pretty hard for ‘Take It From Me,’” said Jordan. “That’s why we have people that we trust in our corner. I’ve got people that I trust like crazy and they were a hundred percent right. I think ‘Take It From Me’ is a little bit more ‘me’ lyrically, and I think you can see a few more of my influences on some of those lyrics.”
“The artist thing was something that came along, I think, after struggling to get a publishing deal.” – Jordan Davis
Songwriter first, then artist
This may be Jordan’s first Number One, but it is no overnight success. He came to Nashville to be a songwriter and spent several years co-writing and honing his craft. “The artist thing was something that came along, I think, after struggling to get a publishing deal to be honest with you,” he admitted. “I felt that I had a specific way that I wrote songs and a unique way that I delivered them. It just so happens that I found some people that wanted to take a chance on me and make a record.”
Both ‘Singles You Up’ and ‘Take It From Me’ are taken from Jordan Davis’ debut album, ‘Home State (MCA Nashville). The album, produced by Paul DiGiovanni, was released in March 2018. Jordan co-wrote all twelve tracks. Music and more at Jordan’s website. See the official ‘Singles You Up’ video at YouTube here.
Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com
Sneak peek at August’s ‘Inside Track on Music Row’
Zach Stone to host ‘Country Fix’
Cledus T. Judd is back with new song parody
Scotty McCreery shares wedding video with fans
Michael Ray’s shoes helping animals in need
You’ll read more than forty music news items in the August 2018 edition of my column, Inside Track on Music Row, when it is posted at Nashville Music Guide. The column is the longest-running Country music column in America. Scroll down for a sneak peek at just a few of the items in the August column.
Meanwhile here is a link to my July 2018 ‘Inside track’ column posted at Nashville Music Guide, complete with photos and graphics. Thank you NMG editor Amanda Andrews! You always make the column look SO good.
Zach Stone to host ‘Country Fix’
Zach Stone
Jetpack Artist Ventures’ flagship recording artist, Zach Stone, will host ‘Country Fix‘ on Heartland-TV in late July and again in early August. Stone makes a guest appearance in Episode 208 and Episode 209 slated to air the weeks of July 30, 2018 and August 6, 2018. Stone makes a guest appearance in Episode 209 slated to air the week of August 6, 2018. (Check listings for air dates/times here.)
The ‘Country Fix’ audience, country music fans and the media have applauded Stone’s work time and time again. His ‘Four Letter Word’ music video aired as a ‘Country Fix’ exclusive premiere earlier this year. Hosted by up-and-coming and established country music artists, ‘Country Fix’ is a half-hour program that airs on Heartland-TV. The segments feature new music video releases, interviews, news segments and in-depth coverage of happenings in the country music scene. In addition to Heartland-TV, “Country Fix” airs internationally on Keep It Country (UK), Country TV (NZ) and Cayman 27 (Cayman Islands). More about Zach at his website at Facebook and Instagram.
Cledus T. Judd is back with new song parody
Cledus T. Judd
Six years after hanging up his overalls, Cledus T. Judd is “strate outta retarment” and funnier than ever with ‘My Weight’s Goin’ Up Down.’ It’s a parody of Morgan Wallen’s #1 Country single ‘Up Down’ featuring Florida Georgia Line. In the music video, Cledus scarfs down fried chicken, hot dogs, burgers, ice cream, sweet tea and more, while the kids are forced to eat mystery health food. He saved on casting enlisting the same kids – including his daughter – to star in several scenes.
The song is currently available at iTunes, Spotify, Amazon and all download and streaming services. Cledus walked away from writing, touring and releasing music in 2012. The life of stardom had a downside for him, as constant partying led to drug addiction. He credits the birth of his daughter, now 14, for leading him to a clean life and a dedication to spending more time with his family. More at Facebook.
Hey, Y’all! Here’s a podcast you should check out. Titled the Y’all Show, it is a syndicated radio show covering the people and culture of the 16 Southern states. Hosted by Yall.com publisher Jon Rawl, the show covers news, sports, opinion, food, business, music, movies, storytelling, and more, Monday through Friday.
Every Wednesday, around 9:30 a.m., Jon calls me and we chat on-air about all things Nashville. I bring him up to date on what’s happening in music here, and we talk about the singers and songwriters – ‘the girls and boys who make the noise on Sixteenth Avenue.’
We also ask listeners a country music question of the day, taken from my book, ‘I Know Country.’ You can check out an archive of recent shows, including the Wednesday editions with my weekly music feature, here.
Jon Rawl is a long-time friend of mine from way back. A busy guy, in addition to his daily radio show/podcast, he’s also the publisher of Y’all magazine and president of CRM Sports.
Tell us what you think of Y’All Radio
I hope you – er, I mean y’all – will check out the podcasts, and maybe contact me or Jon to let us know what you think of the show. I know Jon would be interested to hear any suggestions you might have for future topics about ‘everything Southern.’
Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com
Music is a way of life for Dustin Collins. Growing up in a family where music was always present, it was a natural progression for Dustin to focus on a musical career. His music-savvy parents weren’t quite so sure, but, as he told me during our interview, he knew he had to be involved some way with music for the rest of his life.
Dustin Collins
Coming off a Number One hit, this Kentucky boy is back with a new album, due out in August. IT’S BEEN AWHILE was produced and mixed by Bill McDermott and mastered by Noah Gordon. Dustin invests much of his time touring throughout the Midwest and his home state of Kentucky, including a slot on Aaron Watson’s Vaquero Tour, as well as opening for Chris Janson, Granger Smith, Kane Brown, The Kentucky Headhunters and many more.
He took time away from a hectic tour schedule to sit down with me and talk about his music. Knowing he shares my love for Kentucky basketball, the first thing I asked him was, “Does your blood run Kentucky blue?” With a wide grin, he replied, “You betcha life it does!” I knew it was going to be a great interview!
This is one of a series of interviews with emerging artists in which I ask about their creative process and approach to the music industry.
Touring Road Warrior
Preshias Harris: You are quite a road warrior. You’ve driven hundreds of thousands of miles playing everything from honky tonks to fairs and festivals. What are the pros and cons of touring like that?
‘The Barn’
Dustin Collins: Money! [laughs] That’s the ‘pro.’ And the ‘con!’ The pro is, you make enough money to stay on the road. The con is, you don’t make enough money to pay your car insurance. It is what it is. But I love it. I’d rather be on the road. I sleep better in my bunk than I do in my bed. I love getting out to meet new people, to see new people, play my songs for people who never heard of ‘em. It’s what I’ve always wanted to do, so I love being out there. So anytime we get a chance to take a road trip, all my guys are the same. They’re like, “Let’s Go!” By week two, they’re like, “Let’s go back home!”
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Larry Gatlin wants his stolen GRAMMY® back
Do you have unclaimed royalties out there?
Summer NAMM attendance up 5%
US/UK country pop duo take the ‘Top Down’
Garth’s ‘All Day Long’ most-added at Country Radio
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Larry Gatlin wants his stolen GRAMMY® back
Larry Gatlin
Have you seen Larry Gatlin’s GRAMMY®? If you know where it is, Larry wants to talk to you. In 1977, Larry Gatlin, eldest of the Gatlin Brothers, took home a GRAMMY® Award for ‘Best Country Song’ thanks to his self-penned classic hit, ‘Broken Lady.’
In an exclusive interview with The Tennessean, Gatlin reveals his prized award was actually stolen from the Gatlin Bros. Music City restaurant in the Mall of America in the 1990s. Now, two decades later, he’s on a mission to get it back. The country legend is promising a monetary reward for the safe return of his golden gramophone, and he won’t notify authorities.
“I’ll give you a written statement that I won’t prosecute you,” Gatlin tells The Tennessean’s Cindy Watts. “You can just say you bought it at a pawn shop.” The possessor of Gatlin’s gold can email assistant@absolutepublicity.com to make arrangements to return the trophy and receive the reward.
Do you have unclaimed royalties out there?
If your recordings are out there on any of the digital platforms, it’s possible (it’s likely!) that you are owed money. Okay, it’s probably not a LOT of money, but it is legally yours and you should be able to claim it.
You might want to check out SoundExchange that collects and distributes digital performance royalties on behalf of rights owners and licensees. So far, SoundExchange has paid out about $5 billion in royalties from recordings played on digital radio including Pandora’s free tier and SiriusXM. Continue reading “Music Row One Sheet Early July 2018”