‘Inside Track on Music Row’ for March ’26: SO much new Country music!
By Preshias Harris
It’s all here: Spring tour news from Dierks Bentley, Russell Dickerson, Cody Johnson, Old Dominion; hot new music from Blake Shelton, Vince Gill, Craig Campbell and a swarm of rising country stars; the deets on Tin Pan South, the Country Radio Seminar and the Musicians Hall of Fame Concert; Riley Green’s No. 1 party, and music, music, music. Scroll down and catch up!
QUOTE OF THE MONTH: “I’m a songwriter; that’s where it starts. I love writing with someone that shares that same feeling of accomplishment. I’ll play music for my fans as long as they’ll listen, but I fancy myself as a writer first.” – Randy Houser
BIBLE VERSE OF THE MONTH: There is surely a future hope for you, and your hope will not be cut off. —Proverbs 23:18
ALBUM NEWS
JACKSON DEAN

JACKSON DEAN: Platinum-selling singer/songwriter Jackson Dean will release his third studio album, Magnolia Sage, on April 24. Pre-save/pre-order here. An eclectic collection of songs that move from sweeping to soothing, rocking to ruminative, the 11-track project creates a sound that is singularly Jackson Dean: alive, vital, frisky, sexy and rugged.
The story of Magnolia Sage is told through two distinct, rich narrative lenses, with each of the 11 tracks fitting into one of the two worlds: Magnolia or Sage. Songs and settings of the album intertwine to unveil the discoveries made on Dean’s exploration into new territory, both sonically and lyrically, that began with previously released tracks “Be Your Man,” “Make A Liar” and “Over And Over.”
Magnolia evokes vivid scenes of the Southeast and East Coast, sonically defined by heavy bass that booms and R&B influence that romances. The stories and sounds of Sage transport listeners to the inherent restlessness and vast landscapes of the West.
Whether Magnolia or Sage, east or west, soft or bold, the thread that holds the tapestry of Dean’s vision together is the steady influence of his longtime muse.
Dean cranks up the heat and sets hearts ablaze in his new track “Wildfire,” out now, an evocative depiction of the kind of love that can’t be contained once the match is struck. Watch the official music video here. Find tour dates at JacksonDeanMusic.com. #JacksonDeanMusic
LIL ED & THE BLUES IMPERIALS

LIL ED & THE BLUES IMPERIALS: Alligator Records has announced the release of Lil’ Ed & The Blues Imperials‘ new album, Slideways. Pre-add / listen here. For nearly 40 years together, Blues Hall Of Famers Lil’ Ed Williams and The Blues Imperials – bassist (and Ed’s half brother) James “Pookie” Young, guitarist Mike Garrettand drummer Kelly Littleton – have been delivering gloriously riotous, intensely emotional, wickedly playful Chicago blues to audiences around the world. Lil’ Ed and The Blues Imperials return with their 10th Alligator Records release, and perhaps the crowning achievement of their entire career Slideways. Mixing smoking slide guitar boogies and raw-boned shuffles with the deepest soul-burners and heart-wrenching slow blues, Lil’ Ed Williams and The Blues Imperials bring it all back home, playing each track with an impassioned sense of wild abandon.
Produced by Williams and Alligator Records founder and president Bruce Iglauer, Slideways is a dynamic, high-energy collection of 13 songs, including 12 written or co-written by Williams. With the band at the absolute height of their powers, Williams’ singing and playing is thrilling and at times hair-raising. The songs—eight featuring the deep blues keyboard playing of Ben Levin (“He’s got that old-time style,” says Williams)—are filled with simple, relatable truths. They feature colorful characters in humorous to harrowing situations, some sinning while grinning, others smiling while crying.
Lil Ed & The Blues Imperials will play the City Winery, Nashville, April 9, 2026. Tour/ticket info here.
VINCE GILL

VINCE GILL: The guitar on the cover of Down At The Borderline says everything about the fourth installment in Vince Gill‘s 50 Years From Home EP series on MCA. It’s a white 1953 Fender Telecaster that Gill bought for $450 in 1978 from Del City Music in his native Oklahoma, and it’s been Gill’s main guitar ever since. “It’s real special,” he remarks. “I’ve got several other old Fender Telecasters, but that one just suits my hands, suits my ears. Everything about it is kind of a huge part of my entire catalog of playing guitar over all these years.” Testifying to that status is the worn finish on the guitar’s body.
Listen to Down At The Borderline here.
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