December 2017 - Nashville Music Line

Are these really the best albums of 2017?

When it comes to music, everyone has their own opinion about what is ‘best.’ Below are some links to “Best 2017 Album” lists, plus important news about legislation that will affect songwriters’ income… and a Justin Timberlake video you just gotta see! But we’ll start with an item about a company creating laminates that deliver complete albums, videos and photos to your fans.

Check out these interactive souvenir laminates from iDitty

Artists looking for something that’s both nifty and original might want to check out a neat product from iDitty, a state-of-the art tech company that manufactures digital, interactive souvenir laminates. They offer a customizable, fan-oriented “All-Access” laminate designed to make artist happenings and music accessible in real time at the swipe of a finger.

Since its formation in 2014, award-winning country music entertainers, legends and chart-toppers (Big & Rich, Kelsea Ballerini, Chris Young, Charlie Daniels and Tracy Lawrence), along with some of today’s hottest newcomers (Lee Brice, Justin Moore and Joe Denim) have aligned with iDitty to move full album sales. Collectively, iDitty claims $2.5 million in music sales to date, and Music Row Influentials validate the one-of-a-kind merch item as “the CD replacement.” For more information, visit iDitty.com or contact Hugh Kirkpatrick here: hughkirkpatrick@comcast.net.

Best albums of 2017

Question: What were the best albums of 2017? Answer: Depends on who you ask. You can find Rolling Stone’s ’50 Best Albums of 2017’ here. Meanwhile, NPR (National Public Radio) have prepared their own Top 50 album list here. When it comes to Country, there are several lists to pick from. Start with Taste of Country’s ’10 Country Albums That Stood Above the Rest in 2017’ here. and then check Billboard’s ‘The 10 Best Country Albums of 2017: Critics’ Choice’ at the magazine’s website. No doubt, with every list, you’ll say, “What?! How could they leave out [insert your favorite album name here]!”

“Songwriters are the lifeblood of Music City”

In late December, Congressmen Doug Collins (R-GA) and Hakeem Jeffries (D-NY) introduced “The Music Modernization Act Of 2017” (HR 4706), legislation designed to improve songwriter royalty rates from digital streaming companies while making the music licensing process more efficient.

In a story published at musicrow.com, U.S. Senator Lamar Alexander (R-Tenn.) says, “Songwriters are the lifeblood of Music City, and their paychecks ought to be based on the fair market value of their songs – so that when they write a hit heard around the world, you can see it in their billfolds.” Alexander continued, “We intend to introduce legislation that we have been working on for months to help songwriters receive fair market compensation early next year, and we will be including in our legislation many of the same provisions that were in the House bill introduced today.”

Tennessee Senator Lamar Alexander and Utah Senator Orrin Hatch were noted as guiding forces throughout this process, years in the making. A Senate version of the legislation will be introduced in early 2018. Read the full Music Row story here.

And finally…

Justin Timberlake – way before NSYNC

Some people muttered “He ain’t Country,” when Justin Timberlake appeared onstage with Chris Stapleton during the 2015 CMA Awards for their “Tennessee Whiskey” duet. But Justin’s country roots go w-a-y back to when he was just a tyke growing up in Shelby Forest, Tennessee.

If you haven’t already seen it, take a look at a young Timberlake performing an Alan Jackson song on Star Search here.

Remembering these musicians lost in 2017

Troy Gentry, Glen Campbell, Don Williams, Mel Tillis and more

Sadly, 2017 saw the world of music lose so many great talents. Every year, we have to say farewell to some of our favorite musicians, but in 2017, we seemed to experience more than the usual number of passings.

Among those we are mourning…

Mel Tillis, 85, who wrote or co-wrote more than 1,000 songs and recorded more than 60 albums, overcoming a speech impediment to give us so many hits such as “Coca Cola Cowboy, “I Ain’t Never” and “Good Woman Blues.”

Troy Gentry, 50, tragically killed in a helicopter crash on September 8. With Eddie Montgomery, as part of the duo Montgomery Gentry, he recorded more than 20 charting singles that showed the early influence of Southern Rock on these Kentucky boys.

Glen Campbell, 81, who found steady work as an in-demand session guitarist in Los Angeles (on cuts by Elvis, Nancy Sinatra, Dean Martin and many Phil Spector tracks), before finding fame as a singer with worldwide pop/country hits including “Rhinestone Cowboy,” “Gentle On My Mind” and “By The Time I Get To Phoenix.”

Tom Petty, 66. The singer, songwriter and multi-instrumentalist was also known as a staunch advocate for artist control over music. With his band, The Heartbreakers, he had scores of pop hits and was also part of The Traveling Wilburys with George Harrison, Roy Orbison, Bob Dylan and Jeff Lynne.

Gregg Allman, 69, a Nashville native who was a founding member of the Allman Brothers Band. Despite setbacks and tragedies (including the death of Duane Allman in 1971) the band continued playing, on and off until the 2010s. (Drummer Butch Trucks, another founding member of the Allman Brothers Band, died in January 2017, aged 69.)

Don Williams, 78. A 2010 inductee into the Country Music Hall of Fame, Williams’ career included 17 number one Country chart toppers, including the Roger Cook & Sam Hogin-penned crossover hit “I Believe in You.” He was also seen in movies such as “Smokey and the Bandit II” and “WW and the Dixie Dance Kings.”

Robert Knight. Photo: Getty/Rick Diamond

Robert Knight, 72. The R&B/pop singer and Franklin, Tenn., native was discovered singing at a Vanderbilt frat party and immediately signed to a record deal, resulting in the smash hit “Everlasting Love,” described as “one of the most enduring songs ever to come out of Nashville” by Michael Gray, the Country Music Hall of Fame historian.

Chuck Berry. Photo: Chess Records

Chuck Berry, 90, the rock and roll pioneer whose songwriting and guitar playing influenced generations of pop, rock and country artists. Almost until his death on March 18, 2017, Berry was performing and even recording one final album. His massive hits include “Maybellene,” “Little Queenie” and “Roll Over Beethoven.”

And so many others, including…

David Cassidy, 69, teenage heartthrob singer who found fame as part of TV’s Partridge Family… Della Reese, 86, the phenomenal R&B/Soul singer who later became a move & TV star… Fats Domino, 89, the unique New Orleans rock and roll pianist and singer… Al Jarreau, 76, the multi-Grammy-winning singer of bluesy pop hits such as “We’re In This Love Together”… Walter Becker, 67, the singer/songwriter who, with Dan Fagen, formed Steely Dan… Malcolm Young, 64, guitarist, singer and co-founder (with brother Angus) of the hard rock band AC/DC… Johnny Hallyday, 74, known as the ‘French Elvis,’ he released an astonishing 79 albums, selling more than 80 million records worldwide… Wayne Cochran, 78, the ‘blue-eyed soul’ singer whose flamboyant stage performance influenced Elvis, wrote and recorded the original version of the teen tragedy (‘splatter platter’) hit, “Last Kiss.”

Yes, there were more, and all will be missed. As The Righteous Brothers sang in 1974: “If there’s a rock and roll heaven, you know they’ve got a hell of a band.”

Perseverance vital to success in music

Perseverance: part of a singer or songwriter’s “Pod of Seven P’s”

By Preshias Harris

In many ways, Perseverance is the first cousin of Passion. When one has passion, perseverance must inevitably follow as the means of realizing one’s passion.

Note: this is one part of my seven-part series “The ‘P’ Pod: Seven characteristics shared by the most successful people in the music industry.” It is currently being serialized at MusicStartsHere.

Perseverance has sometimes been called persistence or “stick-to-it-iveness.” Whatever happens to knock you off course, you just keep going toward your goal. This doesn’t mean that, if you come to a ravine, you simply walk straight ahead and over the edge. By perseverance, you find another path, a way around the obstacle, and continue on to your goal.

Don’t let the naysayers discourage you

Your music career will, without doubt, run up against various obstacles as you proceed. There’ll be people who will tell you that you should forget about music and get a ‘real’ job. There will be meetings with music executives that you feel certain will bring about your big break, only to see those hopes crumble. And there will be promises made to you that turn out to be nothing but smoke and mirrors.

A career in music – just like careers in many other areas – can be filled with heartache and disappointment. But that doesn’t mean you’ve made the wrong career choice. Simply that you have to recognize the obstacle and find a way to get past it and back on track.

Continue reading the ‘Perseverance’ chapter at MusicStartsHere.org. MusicStartsHere is the go-to place for news and information that artists, songwriters and anyone interested in the music scene need to know.

Songwriter news roundup

Vital issues affect creators’ rights

December is often a quiet time around the music industry, but this year there are a number of news items that can affect the lives of songwriters and recording artists. Here are some you might want to check out.

BMI Songwriters Win 100% Licensing Ruling

On December 19, NSAI posted the following news bulletin: Today the 2nd Circuit Court of Appeals put the issue of 100% licensing to rest by affirming an earlier ruling by BMI rate court Judge Louis Stanton.

“The Nashville Songwriters Association International (NSAI) is thrilled and relieved that BMI songwriters no longer have to be concerned about the U.S. Department of Justice’s misguided ruling on 100% licensing,” said NSAI President Steve Bogard. “We congratulate BMI CEO Mike O’Neil and his team on this important victory and hope the DOJ now releases ASCAP from their ruling that was delivered in 2016. The time has come to discuss sun-setting or updating the ASCAP and BMI consent decrees so that songwriters can earn fair performance royalty rates from streaming services.”

More about NSAI at http://www.nashvillesongwriters.com/

HAAWK –that tracks revenue for rights holders – buys Royalty Claim and TuneRegistry

From a report at Billboard.com: HAAWK, a rights management and content monetization firm started by Ad-Rev co-founder Ryan Born, has acquired RoyaltyClaim and TuneRegistry. Terms of the deal were not disclosed although Haawk had previously raised $2.5 million in seed venture capital from Rincon Venture Partners.

Prior to this current acquisition, HAAWK bought certain assets from Dart Music, which specialized in cleaning up music rights metadata, among other rights management services. That company filed for bankruptcy last summer and its assets were sold in separate deals to HAAWK and Core Rights LLC this fall. Continue reading the Billboard story here.

Songwriters: Support H.R. 3945, a bill to create a Small Claims Court

An email sent out by The Copyright Alliance urges creators (including songwriters) to support a bill in Congress that would establish a way for individuals to fight infringement of their rights. The text of the email reads:

Join the copyright community in asking your Congressional Representative to cosponsor H.R. 3945, the CASE Act of 2017, a bill that would create a copyright small claims court for creators and small businesses (It’s quick and easy to do!)

For many photographers, illustrators, authors, songwriters and other creators who own copyrighted works, enforcing their rights is not feasible. Litigation is expensive and many creators simply can’t afford it. In effect, the U.S. copyright system currently provides creators with rights but no effective remedies.

Continue reading the Copyright Alliance story here.

RCA Studio B, 60 years on

Recording artists still keeping the sound alive

Among all the recording studios in Nashville, probably the most famous has to be RCA Studio B. In many ways, it was where the ‘Nashville Sound’ developed, mainly under the direction of the legendary Chet Atkins. But the microphones have not been mothballed just yet, according to a story broadcast on WPLN.

RCA Studio B. Photo: Country Music Hall of Fame & Museum

For 20 years (1957 to 1977), Studio B was the birthplace of hundreds of hit records that impacted both the Country and Pop charts. The list of stars who stepped up to the microphone in that studio includes Elvis Presley, Roy Orbison, Dolly Parton and so many more. My cousins, the Everly Brothers, were there from the beginning, cutting their first Studio B session in November 1957.

Now, Studio B is a must-see stop for visitors to Nashville and the tour buses pull up every hour across the street from my office on Music Square West. But although Studio B is now a tourist destination, operated and maintained by the Country Music Hall of Fame and Museum, some musicians still find a way to capture the unique sound that only this studio can create.

WPLN-FM, Nashville’s Public Radio station, recently aired a story about musicians and artists who find a way to record songs today in Studio B, keeping that signature sound alive. As an example, JD McPherson recently topped the Americana charts with ‘Lucky Penny.’ He recorded it at the famed studio 60 years after Don Gibson recorded his version of the song in the same studio.

You can hear the audio of that WPLN story and read the text here.

If you want to know more about the amazing history of RCA Studio B, the Country Music Hall of Fame and Museum published a book, full of stories and pictures, that’s available in the book shop and online.

Garth ‘comes home’ to Nashville

Blows the roof off Bridgestone Arena

Garth Brooks will likely remember Saturday, December 9, 2017 for a number of reasons. When he and wife Trisha Yearwood picked up their mics at the afternoon press conference, he told us it was something of a homecoming for them: the first time they had played Nashville since the fundraiser following the ‘great Nashville flood’ of 2010.

Garth Brooks, Trisha Yearwood at press conference. Photo: Preshias Harris

As Trisha said, after three years on the road, it was pleasant to realize they didn’t have to pack a suitcase. After each of their Nashville shows, they could simply drive to their home in Goodlettsville. Garth smiled at said, “Welcome to the end of the journey.”

December 9 also marked the official announcement that Garth’s latest single, ‘Ask Me How I Know,’ reached Number One on Billboard’s Country Airplay chart. It was his first Number One since 2007’s ‘More Than A Memory.’ To add poignancy, December 9, 1989, was the date that Garth reached the Number One spot for the first time with ‘If Tomorrow Never Comes.’

Oh, and Saturday was the eve of Garth and Trisha’s wedding anniversary: they were married December 10, 2005. A memorable weekend in so many ways.

Garth’s pre-show celebration

Garth Brooks on stage at Bridgestone Arena. Photo: Preshias Harris

At a backstage party prior to Saturday’s show at Bridgestone Arena, Garth and Trisha celebrated their return to Nashville following an incredible tour that shattered every record for attendance and ticket revenue. Awards were presented to Garth, one after another, marking so many milestones in a unique career. Among his astonishing achievements: he is the best-selling solo artist in the United States with over 148 million domestic units sold, and over 160 million records sold worldwide.

He is also the only artist to have released seven albums that reached diamond status, according to RIAA. (This is an even greater achievement when you remember that he took a hiatus from recording between 2001 and 2009 to focus more fully on being with his family.)

At the pre-show party, it was also announced that Garth also tops the Nielsen BookScan chart with the Number One non-fiction book, ‘The Anthology, Part One: The First Five Years.’

Mitch Rossell at the Bridgestone. Photo: Mike Harris

And then it was showtime. A packed Bridgestone Arena was treated to a superb show that opened with a solo set from singer/songwriter Mitch Rossell who wrote Garth’s current chart-topper, ‘Ask Me How I Know.’ That song is Rossell’s first commercially released cut as a songwriter, making it a memorable night for him, too. Rossell was followed by a set by Karyn Rochelle, a fine songwriter who co-penned ‘Red High Heels’ with Kelly Pickler.

Two+ hours of high energy

Garth at Bridgestone Arena. Photo: Preshias Harris

When Garth finally hit the stage, the sold-out crowd erupted as he roared into ‘Let’s Lay Down and Dance,’ the beginning of more than two hours of faultless high energy. Garth is a master of handling a crowd. At one point, without saying or singing a word, he virtually ‘conducted’ the audience like a mime. For several minutes, he urged different sections of the crowd to compete in the volume of the noise they could produce, building to a deafening crescendo.

As he had pointed out at the press conference, he understands an audience’s desire to hear the familiar hits and he knows how to finesse the performance of lesser-known or current material into his set. He didn’t disappoint, performing a string of crowd favorites, including ‘The Thunder Roars,’ ‘Rodeo,’ ‘If Tomorrow Never Comes,’ and many more. Trisha joined him onstage with some of her own hits including ‘She’s In Love With the Boy’ and ‘Memphis.’

With all the records that Garth has already broken, he isn’t done yet. Although the current World Tour is finally coming to an end, there’s no end in sight to his unique and remarkable career, as much a tribute to his mastery of marketing as to his amazing musical talent. There’s more to come.

photo: facebook.com/mitchrossellofficial

Footnote: Mitch Rossell, who opened for Garth and also wrote the current Number One, may be finding his first taste of chart success as a writer, but he is no newcomer to the music business. As he told the audience during his set, he’d been playing music and writing songs as long as he could remember. He’d been in Nashville for about five years, determined to make music his career. He looked around the packed arena and said that before these tour dates with Garth, “I was playing Tootsie’s bar at the Nashville Airport.” Aspiring artists and songwriters need to remind themselves that ‘Nashville is a five-year town’ – or maybe a ten-year town for some. Patience and perseverance win out in the end.

Garth Brooks tops charts with “Ask Me How I Know”

Begins seven-show run at Bridgestone Arena

Garth Brooks is undeniably one of the most enduring artists in Country music with a career that continues to set and break records.

This week, he is once again celebrating a chart-topper as his poignant ballad, “Ask Me How I Know,” hits Number One, landing the top spot on Billboard and Country Aircheck/Mediabase Country Airplay charts. The track is Brooks’ 20th No. One and the first songwriting cut by newcomer Mitch Rossell. The feat also marks a full-circle moment for Brooks, as this week is the 28th anniversary of his first No. One with “If Tomorrow Never Comes,” which summited the charts on Dec. 9, 1989.

First cut for Mitch Rossell

Brooks expressed his congratulations to the team at his record label and to songwriter Rossel. “I’m so proud of the Pearl Records team for working so hard for this No. One,” said Brooks. “Congrats to Mitch Rossell on his first cut…so happy for you, pal! And to country radio…four decades later, thanks for still believing. I’m humbled and very grateful.”

Brooks is on the final run of the Garth Brooks World Tour with Trisha Yearwood this week. He starts a seven-show run at Nashville’s Bridgestone Arena on December 9 to mark the end of the tour. (Personal note: I will be in the audience for the Saturday show, December 9th!) In a little over three years, the tour has sold over 6.4 million tickets, making it the biggest North American tour in history and the biggest American tour in the world. For tickets, click here.

Six-time CMA Entertainer of the Year

Garth Brooks just won Entertainer of the Year at the CMA Awards for a sixth time, a first for any artist. He is also the first artist in history to receive 7 Diamond awards for the now seven albums certified by the RIAA at over 10 million album sales each and remains the #1-selling solo artist in U.S. history certified by the RIAA with over 148 million album sales. He has received every accolade the recording industry can bestow on an artist.

Brooks has been inducted into the International Songwriters Hall of Fame in New York, the Nashville Songwriters Hall of Fame, Country Music Hall of Fame and most recently, the Musicians Hall of Fame. He has also launched Inside Studio G, a weekly Facebook Live series. It airs every Monday on Garth’s Facebook page at 7:00 PM EST. You can follow him at: https://www.facebook.com/GarthBrooks, https://twitter.com/garthbrooks and http://instagram.com/garthbrooks.

December’s “Inside Track on Music Row’

This month’s column posted and ready to read

The December 2017 version of my monthly column, ‘Inside Track on Music Row,’ should be posted at Nashville Music Guide by the time you read this, and also at my other website IKnowCountry.com.

Here are a few few teasers, but click one of the links above to read the full column of news about songwriters, artists and the country music industry.

TOUR NEWS

Murfreesboro TN’s own Chris Young has extended his headlining ‘Losing Sleep’ World Tour with twelve additional dates added in April and May. Joining him are RCA label mate Kane Brown, Warner Bros./WEA’s Morgan Evans and Dee Jay Silver. Updates are: Arista’s LanCo and Kane Brown will open the dates in January and February. Full lists of dates at www.chrisyoungcountry.com/events

BENEFIT NEWS

Legendary country music singer, songwriter and animal advocate, David Frizzell, is supporting animal rescue with his new 10-song CD and storybook, Barnyard Christmas. This original project presents the story of the birth of Christ as told by animal characters that were present at the manger. Pre-orders for the CD and storybook are available now. Visit www.davidfrizzell.com for more information. During the month of December, those who adopt an animal through Music City Animal Rescue, or make a minimum donation of $20, will receive an autographed copy of David’s CD/storybook (while supplies last). There are other perks for those purchasing the CD with information available on the organization’s website, musiccityanimalrescue.com. For Nashville area fans, Music City Animal Rescue will join Frizzell for his performance at the Midnight Jamboree on Saturday, December 9th for a special adoption and animal rescue awareness night. The free show begins at 10pm at the Texas Troubadour Theatre, 2416 Music Valley Drive in Nashville.

CONCERT NEWS

Some advance notice about a special evening with CMA and Grammy Award-winning country artist, Travis Tritt at the CMA Theater, Country Music Hall of Fame and Museum, March 3, 2018. Experience this rare opportunity featuring the multi-platinum artist in an intimate solo-acoustic setting where his powerful voice and his guitar are the subject of the spotlight. An up-close and personal event punctuated by personal stories and anecdotes about his life and musical influences. Performing some of his biggest hits, including “T-R-O-U-B-L-E,” “It’s A Great Day to Be Alive” and “Best of Intentions;” the Grand Ole Opry member will bring his award-winning songs to life and leave the audience with a truly memorable experience. Tickets start at $49.50. Tickets to this and all upcoming on sale now at cmatheater.com

STOCKING STUFFERS

Some last-minute gifts for music lovers! Chase Rice “Lambs & Lions” / Tucker Beathard “Dear Someone”/ John Fogerty “Blue Moon Swamp” [20th anniversary digital/physical release, 180g black vinyl, limited-edition 180g blue vinyl] / Chris Stapleton “From A Room: Volume 2” / Luke Bryan “What Makes You Country” / Cole Swindell “Down Home Sessions IV” / Steve Earle “El Corazón” [Reissue] / Walker Hayes “Boom” / Danielle Bradbery “I Don’t Believe We’ve Met” / Tim McGraw and Faith Hill “The Rest Of Our Life” / Various Artists: ”A Tribute to Dan Fogelberg”

Check out the entire column at one of the links at the top of this post.