The January 2018 version of my monthly column, ‘Inside Track on Music Row,’ is now posted at Nashville Music Guide, complete with some great graphics and photos.
Here are a few few teasers, but click the link above to read the full column of news about songwriters, artists and the country music industry.
Brett Young has landed on multiple Billboard Year End charts, as 2017 came to a close, including Top New Artists, the only Country artist to do so. He also landed at No. Two on the Year End Hot Country Songs, Country Digital Songs and Country Streaming Songs charts. ASCAP recognized his “quintessential breakout year,” honoring Young for one of the Most Played Songs of the Year with “Sleep Without You.” Young was named a TicketMaster New Favorite Artist of 2017 and was Shazam’s only Country act included on their Emerging Artists of 2017 list. He also drew prestigious CMA, ACM, Teen Choice Award, CMT Music Awards and AIMP Award nominations. 2018 is already shaping up to be another big year for Young, who is working on new music. He will perform at the College Football Playoff concert in Atlanta January 8 before joining ACM Male Vocalist of the Year Thomas Rhett on his LIFE CHANGES Tour. More info at brettyoungmusic.com.
As the curtain closed on a sold-out show at New York City’s Town Hall in December, multi-PLATINUM singer/songwriter Kip Moore took a bow to 2017, for what can only be described as a benchmark career year. Moore is wrapping up an overwhelming year on multiple “Best Of 2017” lists by Entertainment Weekly, Rolling Stone, UpRoxx, Bobby Bones Show, Taste Of Country, Sounds Like Nashville, The Boot, PopMatters and Whiskey Riff for his revered third studio album SLOWHEART, while reflecting on his 4th career No. One for his single “More Girls Like You,” sold-out headlining shows, national TV appearances and more. 2018 tour dates etc at kipmoore.net.
(Capitol Records) On Christmas, via Instagram, Capitol’s ‘Golden Boy’ Luke Bryan surprised his wife Caroline with two baby kangaroos! Yeah, you read that right, two baby kangaroos. The baby roos are the latest additions to Brett’s Barn, a farm of rescue animals honoring their late niece. Country superstar Bryan took to Instagram to share a video of himself surprising his wife Caroline with the most unexpected Christmas gift ever. In the video clip, Bryan approaches Caroline, who is blindfolded, with the two kangaroos in bags. The family named the babies Todd and Margo after two characters from the iconic Christmas film, National Lampoon’s Christmas Vacation. Todd and Margo will join the family of animals living on the Bryan Family property at Brett’s Barn. The barn is Caroline’s passion project and is dedicated to her late niece who passed away at just 7 months old in early 2017. Brett’s Barn is also home to a pig, goats, and miniature horses. Caroline plans to keep adding to Brett’s Farm and I am sure we will be hearing more about it in the Spring.
For too long, songwriters have had to work within an outdated system that over-regulates and undervalues their music. The Music Modernization Act of 2017 will help change that.
[Note: the text of this post is reproduced from an email sent out to ASCAP members. You do not have to be an ASCAP member to respond to this request that is supported by all Performing Rights Organizations and other entities involving songwriters and music publishers. You can find the original message here.]
Improved compensation for music creators
ASCAP has long advocated for a more flexible framework that can adapt to the realities of the modern music marketplace. The Music Modernization Act is a bipartisan music reform bill that represents months of compromise and collaboration between stakeholders from the music and tech sectors.
It includes provisions that we hope will ultimately result in compensation for our members that better reflects the true value of your music:
Rate court reform: replacing a single rate court judge for each PRO with different judges randomly assigned to each rate-setting proceeding (the “wheel” system)
Removal of Section 114(i) of the Copyright Act: allowing a rate court to consider all relevant evidence when determining songwriter compensation – including the rates that recording artists earn – an ability that is currently prohibited by law.
The Music Modernization Act of 2017 also includes provisions to reform Section 115 of the Copyright Act to create a single licensing entity that will administer the mechanical reproduction rights for all digital uses of musical compositions like those used in interactive streaming models. This replaces the “bulk NOI” process that often failed to result in payments to songwriters and music publishers with a system that will enable digital music services to find the owners of the music they use.
While no legislation will solve all of our industry challenges, on balance we believe this is a significant step forward for all music creators.
If you are a member of BMI or SESAC and have received notification from them about a petition regarding the Music Modernization Act of 2017, you are of course welcome to respond to their communication.
Why more Brits than ever are on their way to Nashville
Pop quiz: What’s the biggest industry in Music City? No, it’s not music, it’s healthcare. But ‘Healthcare City’ doesn’t sound half as much fun as Music City, and Nashville’s musical heritage accounts for millions of dollars in tourist revenue. Much of that revenue comes from foreign visitors and that revenue is set to increase still further. The reason: direct flights to Nashville from London’s Heathrow Airport.
Two recent news stories – one from each side of the Atlantic – look at Nashville from different perspectives. ‘Boom (Chicka-Boom) Town’ by Chris Parton in the January issue of Nashville Lifestyles magazine interviews nine ‘movers and shakers’ in Nashville’s music industry.
Meanwhile, a story in London’s Sunday Times, dated December 31, 2017, tells British readers why they “should join the hoedown in 2018” by flying to Nashville. The article’s author, Rich Hall, should know what he’s talking about. He is an American performer whose comedy and country music show, Rich Hall’s Hoedown, tours the UK from February to June, often adopting the character of Tennessee country musician Otis Lee Crenshaw.
‘More than one style’ of country music
Hall makes a point of mentioning several venues familiar to Nashville residents but probably less so to overseas visitors. He writes that there’s more than one style of country music. “Station Inn is spectacular for bluegrass,” says Hall. “And at 3rd and Lindsley, every Monday night, a 10-piece band called the Time Jumpers takes the stage, featuring Andy Reiss and Vince Gill (guitars), Paul Franklin (steel) and leader Ranger Doug (playing killer rhythm on an old Stromberg). If you’ve never heard western swing music, prepare for a religious conversion.”
Brits are notorious for being bad tippers, as tipping is less expected in Britain. Mentioning several of Lower Broad’s honky tonks, Rich says, “There’s a bucket at the foot of the stage. That’s for tips. Be generous, you tight-fisted British miserlings.”
Thank you, Rich! Let’s hope your readers make a note of that!
‘Behind the Scenes’ in Music City
Back at Nashville Lifestyles’ Music Issue (subtitled ‘Behind the Scenes of Our Signature industry’), the story notes that: “According to the Nashville Chamber of Commerce’s 2017 Regional Economic Development Guide, the area’s population has now ballooned to more than 1.8 million people and, in 2016, was joined by 13.9 million visitors.” Those visitors made an impact of $5.7 billion on the city.
If you are part of the music industry, yours is one of 56,000 jobs that are maintained as a result of music in Nashville, according to Chamber estimates. The magazine article quotes the Music City Music Council’s report that 8,000 jobs are directly involved in music making, with 190+ recording studios in the city. “Nashville is currently home to 10 times more music activity than either Los Angeles or New York,” reports writer Chris Parton in Nashville Lifestyles.
‘Challenges’ for Nashville’s music creators
But some of Nashville’s music creators are facing challenges. “Songwriters and publishers have seen a huge payment disparity in the streaming area versus the artists and record labels,” Bart Herbison, Executive director of Nashville Songwriters Association (NSAI) explained to Parton. “On the performance side, [artists and labels] get 88 cents for every 12 cents we get, and, on the sales-royalty side, it’s seven-to-one or greater. So, we’re trying to fix that.” (A note from Preshias: for more information on the Songwriter Equity Act, see an earlier post at NashvilleMusicLine.com.)
Among the other Nashville music execs interviewed for the Nashville Lifestyles story are Kos Weaver, Executive VP of BMG Nashville, Mike Dungan, Chairman and CEO of Universal Music Group, Nashville, and Shannan Hatch, Creative Director of SESAC, and several others. All offer professional insight into Nashville’s music industry and where it is heading.
Rob Beckham, partner at WME/IMG points out that in the past, country acts rarely toured abroad. “But now that international audiences can access the music as easily as domestic audiences, we are seeing an increased demand to bring our acts overseas,” he told Parton.
Which brings us back to the article written by Rich Hall for the Sunday Times in London, England. American-born Hall is a comedian who has become popular in Britain and is frequently featured on BBC TV shows.
“Behind Lower Broadway stands the mecca of country music, the Ryman Auditorium, original home of the Grand Ole Opry. Giants walked here. Stand on the center-stage circle and channel the ghosts of Hank Williams, Chet Atkins and Tammy Wynette. The Opry still broadcasts from there on weekends from November to January. Do not, however, confuse this with Opryland, a Disneyfied tourist hellhole on the outskirts of town, designed to separate rubes from the contents of their wallets.” – Rich Hall
In addition to mentioning Nashville’s music venues, Hall recommends Brit visitors sample Nashville hot chicken, country ham, grits, Goo Goo Clusters and hash browns slathered in Cheez Whiz – though not necessarily all on the same plate.
Nashvillians are ‘just genuinely nice’
Hall’s article closes by mentioning that Nashville is exceptional because it is so friendly. In fact, Travel & Leisure magazine named Nashville one of ‘America’s friendliest cities’. Nashvillians, says Hall, are: “Just genuinely nice. So much of America runs together these days. Nashville stands out. After a short time here, you start wondering why the rest of the world can’t be this pleasant.”
British Airways’ new direct flights between London and Nashville are scheduled to begin in May 2018, so expect to hear even more Brit accents at this year’s CMA Music Festival, June 7 – 10. You can reach Rich Hall at offthekerb.co.uk/rich-hall
You can read the entire ‘Boom (Chicka-Boom) Town’ article and more about what’s happening in Music City in the January edition of Nashville Lifestyles, now at newsstands or go to www.nashvillelifestyles.com
Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com
When it comes to music, everyone has their own opinion about what is ‘best.’ Below are some links to “Best 2017 Album” lists, plus important news about legislation that will affect songwriters’ income… and a Justin Timberlake video you just gotta see! But we’ll start with an item about a company creating laminates that deliver complete albums, videos and photos to your fans.
Check out these interactive souvenir laminates from iDitty
Artists looking for something that’s both nifty and original might want to check out a neat product from iDitty, a state-of-the art tech company that manufactures digital, interactive souvenir laminates. They offer a customizable, fan-oriented “All-Access” laminate designed to make artist happenings and music accessible in real time at the swipe of a finger.
Since its formation in 2014, award-winning country music entertainers, legends and chart-toppers (Big & Rich, Kelsea Ballerini, Chris Young, Charlie Daniels and Tracy Lawrence), along with some of today’s hottest newcomers (Lee Brice, Justin Moore and Joe Denim) have aligned with iDitty to move full album sales. Collectively, iDitty claims $2.5 million in music sales to date, and Music Row Influentials validate the one-of-a-kind merch item as “the CD replacement.” For more information, visit iDitty.com or contact Hugh Kirkpatrick here: email@example.com.
Best albums of 2017
Question: What were the best albums of 2017? Answer: Depends on who you ask. You can find Rolling Stone’s ’50 Best Albums of 2017’ here. Meanwhile, NPR (National Public Radio) have prepared their own Top 50 album list here. When it comes to Country, there are several lists to pick from. Start with Taste of Country’s ’10 Country Albums That Stood Above the Rest in 2017’ here. and then check Billboard’s ‘The 10 Best Country Albums of 2017: Critics’ Choice’ at the magazine’s website. No doubt, with every list, you’ll say, “What?! How could they leave out [insert your favorite album name here]!”
“Songwriters are the lifeblood of Music City”
In late December, Congressmen Doug Collins (R-GA) and Hakeem Jeffries (D-NY) introduced “The Music Modernization Act Of 2017” (HR 4706), legislation designed to improve songwriter royalty rates from digital streaming companies while making the music licensing process more efficient.
In a story published at musicrow.com, U.S. Senator Lamar Alexander (R-Tenn.) says, “Songwriters are the lifeblood of Music City, and their paychecks ought to be based on the fair market value of their songs – so that when they write a hit heard around the world, you can see it in their billfolds.” Alexander continued, “We intend to introduce legislation that we have been working on for months to help songwriters receive fair market compensation early next year, and we will be including in our legislation many of the same provisions that were in the House bill introduced today.”
Tennessee Senator Lamar Alexander and Utah Senator Orrin Hatch were noted as guiding forces throughout this process, years in the making. A Senate version of the legislation will be introduced in early 2018. Read the full Music Row story here.
Justin Timberlake – way before NSYNC
Some people muttered “He ain’t Country,” when Justin Timberlake appeared onstage with Chris Stapleton during the 2015 CMA Awards for their “Tennessee Whiskey” duet. But Justin’s country roots go w-a-y back to when he was just a tyke growing up in Shelby Forest, Tennessee.
If you haven’t already seen it, take a look at a young Timberlake performing an Alan Jackson song on Star Search here.
Perseverance: part of a singer or songwriter’s “Pod of Seven P’s”
By Preshias Harris
In many ways, Perseverance is the first cousin of Passion. When one has passion, perseverance must inevitably follow as the means of realizing one’s passion.
Note: this is one part of my seven-part series “The ‘P’ Pod: Seven characteristics shared by the most successful people in the music industry.” It is currently being serialized atMusicStartsHere.
Perseverance has sometimes been called persistence or “stick-to-it-iveness.” Whatever happens to knock you off course, you just keep going toward your goal. This doesn’t mean that, if you come to a ravine, you simply walk straight ahead and over the edge. By perseverance, you find another path, a way around the obstacle, and continue on to your goal.
Don’t let the naysayers discourage you
Your music career will, without doubt, run up against various obstacles as you proceed. There’ll be people who will tell you that you should forget about music and get a ‘real’ job. There will be meetings with music executives that you feel certain will bring about your big break, only to see those hopes crumble. And there will be promises made to you that turn out to be nothing but smoke and mirrors.
A career in music – just like careers in many other areas – can be filled with heartache and disappointment. But that doesn’t mean you’ve made the wrong career choice. Simply that you have to recognize the obstacle and find a way to get past it and back on track.
Continue reading the ‘Perseverance’ chapter atMusicStartsHere.org.MusicStartsHere is the go-to place for news and information that artists, songwriters and anyone interested in the music scene need to know.
Tracy Lawrence & Friends Mission Possible, Garth Brooks, LANCO and more
My column, ‘Inside Track on Music Row,’ is America’s longest-running monthly country music column, published monthly at Nashville Music Guide That’s where you can find the November column. It is also posted at my other website, I Know Country. Meanwhile, here’s a taste of a few items from the column…
Get ready for Tracy Lawrence’s turkey fry concert
After raising more than $135,000.00 with the music event last year, Tracy Lawrence is back with his 3rd Annual Tracy Lawrence & Friends Mission: Possible Turkey Fry Concert on November 21st at the Wildhorse Saloon, with doors opening at 6pm, following his 12th Annual Turkey Fry, all benefiting Nashville Rescue Mission. Scheduled to appear: Luke Combs, Clay Cormier, Ben Gallaher, Halfway to Hazard, William Michael Morgan, Jamie O’Neal and host/headliner, Tracy Lawrence. Ticket & show info at turkeyfry.org. Lawrence is gearing up for the release of his new album GOOD OLE DAYS on November 10th featuring collaborations with Jason Aldean, Brad Arnold, Big & Rich, Luke Bryan, Luke Combs, Easton Corbin, Craig Morgan, Dustin Lynch, Tim McGraw, Justin Moore, Kellie Pickler and Chris Young. Music and tour info at tracylawrence.com.
Garth Brooks launches book & CDs anthology
‘The Anthology from Garth Brooks Part 1: The First Five Years’ is now available for pre-order. Garth has launched a new website for the book: anthology.garthbrooks.com. The Anthology can also be pre-ordered at amazon.com. Promising to be a massive 5-part anthology, Part 1 is a detailed look at the first 5 years of his career. It is told by Garth himself and those involved with the creating, recording, and promotion of the first five albums. Not only that but Garth has packaged 5 CDs inside the first book he has ever written. The 5 CDs contain music that has never been heard, songs written long before the debut album, outtakes, first takes, demos, over 150 never before seen photos, sessions charts, tracking sheets, all in a 240 page hardcover complete package written by Garth Brooks. It will be on sale November 14. Follow Garth at facebook.com/GarthBrooks and on Twitter and Instagram.
Solo-writer hit for LANCO’s Brandon Lancaster
Songwriter/lead singer Brandon Lancaster of Sony Music Nashville’s breakout band LANCO is earning his stripes in Music City songwriter circles as the sole lyricist behind the band’s hit, “Greatest Love Story.” It has been 10 years since a country artist/writer has penned a chart topping hit alone. A look back in time to the early 2000’s reveals that the last artists able to make that claim are Taylor Swift (“Our Song”), Zac Brown (“Free”) and Jennifer Nettles’ (“Stay”). That success has propelled Lancaster to the No. One spot on the Top 60 Country Songwriters Chart this week, based on streams, sales and airplay. “I wrote a song alone in my bedroom one night about the girl I wanted to marry, and then she actually said yes,” said Lancaster. “Now our story is resonating with people all over the country… it all feels too good to be true.” More information on LANCO and upcoming Fall tour dates, visit LANCOMusic.com.
Plus … news about Jason Aldean’s ‘Won’t Back Down’ Las Vegas fundraiser, Billy Burnette’s book and CD, Mark Chesnutt’s Trailblazer Award, Kip Moore, David Lee Murphy, the Bluebird Café documentary and more.
If you’re a singer or songwriter and thinking that you should forget your dream and go get a ‘real’ job, take heart from Logan Mize’s story.
His new album, COME BACK ROAD, notched up a Top 20 debut on Billboard and iTunes’ All Genre charts, but his personal road has not been an easy one, filled with roadblocks that would have stymied lesser beings.
Logan, a native of Clearwater, Kansas, came to Nashville with the goal of becoming a success in the music business. But that success seemed to slip from his grasp at every step of the journey. He was turned down again and again by every music publisher and record label on Music Row.
To make ends meet, he took on day jobs, including driving a party bus and even a dump truck, while writing songs and playing club dates wherever he could snag them. Then in 2010, several years after arriving in Nashville, he signed a publishing and record deal with Big Yellow Dog Music, and a booking deal with a major agency.
Many artists would look at those contracts and figure they’d achieved their goal, but Logan knew that this was only the beginning. He spent the next seven years playing seemingly every venue in every town across the United States, building his fan base at every stop along the way.
Use the power of social media
Logan understands the power of social media. In 2016, he undertook a solo acoustic tour, promoted entirely via social media, traveling more than 20,000 miles in less than two months in a 1989 station wagon that he named ‘Glenn.’
He ran his own sound and lights at each show, performing 3-hour sets, before packing everything back in the car and moving on to the next venue. He knew that every stop along the way added to his fan base, and each fan was a potential buyer of his music and would probably spread the news to their own social media contacts.
Thankful to those who have helped
As well as knowing the importance of sheer hard work in developing his music career, Logan is also deeply thankful to those who have helped him along the way. He has now partnered with Budweiser to create a new monthly video series based around his song, “Somebody to Thank.”
“It is so important that we always remember and give thanks to those who helped us get to where we are,” he said. “Even the smallest gesture of gratitude can make a big difference in someone’s life.”
A new video will be released monthly via Logan’s YouTube channel and Facebook spotlighting the relationships built around the struggles, gratitude and opportunities that have helped shape Mize into who he is as a person, artist, husband and father. He hopes it will also remind everyone to always say thank you to those who were a part of one’s journey.
Persevere despite the setbacks
There are two lessons that can be learned from Logan’s story. Firstly, if you believe in your music, persevere. Keep going, despite the setbacks and treat each roadblock as a ‘learning experience’ while you steadfastly follow your dream. It won’t happen overnight, but it will happen.
Secondly, take charge of your own destiny. Don’t put your career entirely in the hands of others. Certainly, seek guidance and develop business alliances with those who can help you, but understand that only you can make the decisions and take the steps to achieve your goals.
COME BACK ROAD includes the hit single “Ain’t Always Pretty” which has been featured on major playlists across digital streaming platforms garnering over 25 million streams on Spotify alone.
Four of Nashville’s finest will receive one of the music industry’s most coveted honors: induction into the Nashville Songwriters Hall of Fame. The class of 2017 consists of Jim McBride, Walt Aldridge, Tim Nichols and the late Vern Gosdin.
The announcement was made at a news conference on August 9 by Pat Alger, chair of the organization’s board of directors. The induction ceremony will take place on October 23 at the Music City Center.
As in previous years, there are several categories for the new inductees. Aldridge and Nichols will be inducted in the Songwriters category, McBride is the inductee in the Veterans category, and Gosdin will be honored in the Songwriter/Artist category.
Walt Adridge has written hit songs for artists such as Ronnie Milsap (“There’s No Getting Over Me”), Earl Thomas Conley (“Holding Her and Loving You”) and Conway Twitty (“She’s Got a Single Thing In Mind”). Florence, AL, native Aldridge was also an integral part of the Muscle Shoals music scene, working at the aptly named Fame Studios.
Tim Nichols wrote “You’re Not in Kansas Anymore” for Jo Dee Messina, “I’m Over You” for Keith Whitley and “Cowboys and Angels for Dustin Lynch. One of his biggest hits was his 2004 song for Tim McGraw, “Live Like You Were Dying,” co-written with Craig Wiseman. That song won the Grammy Award for Best Country Song at the 47th Grammy Awards and was the ACM ‘Song of the Year.’
Jim McBride, the honoree in the Veteran category, has had a long career as a songwriter, having written his first song when he was twelve. Success eluded him until he moved from Huntsville, AL, to Nashville and began to get cuts including “A Bridge That Just Won’t Burn” for Conway Twitty. The song won McBride’s first BMI Award along with co-writer Roger Murrah. Other McBride hits include “Chattahoochie” for Alan Jackson and songs cut by John Anderson, Waylon Jennings and many more.
Vern Gosdin racked up nineteen Top-Ten Country chart hits between 1977 and 1990, including three Number Ones: “I Can Tell By the Way You Dance,” “Set ‘Em Up Joe” (a tribute to Ernest Tubb), and “I’m Still Crazy.” He faced several setbacks including signing with record labels that either shut down or went bankrupt. He almost left the music business entirely in the 1970s, operating a glass company in Cartersville, GA, before being coaxed back and creating a string of hits including 1983’s “Tennessee Courage,” a song Gosdin co-wrote with Louis Brown and Max D. Barnes. Known to his many fans as ‘The Voice,’ Vern Gosdin passed away following a stroke in April 2009.
The Hall of Fame
The Nashville Songwriters Hall of Fame Foundation is a non-profit organization dedicated to honoring and preserving the songwriting legacy that is uniquely associated with the Nashville music community. Its purpose is to educate, celebrate and archive the achievements and contributions made by members of the Nashville Songwriters Hall of Fame to the world. The class of 2017 will join be joining the 203 members previously inducted in the NSHoF.
Read more about the Nashville Songwriters Hall of Fame and see photos and info about all the inductees here.
It was a songwriters’ night with a difference: each of the featured writers on stage was a co-writer of a Number One hit for Jason Aldean from his album, THEY DON’T KNOW. The event also marked some ‘firsts’ for some of the writers.
Two-time and reigning ACM Entertainer of the Year Jason Aldean took over Nashville’s Wildhorse Saloon August 2nd to celebrate each single off his seventh studio album THEY DON’T KNOW reaching No. One. Marking 19 career chart-toppers, Aldean gathered alongside friends and family to perform “Lights Come On,” “A Little More Summertime” and “Any Ol’ Barstool” with each of the tracks’ songwriters. For the event, fans were invited to Lower Broadway’s famed venue, which is the same place Aldean played the showcase that landed him his record deal with Broken Bow Records.
Lights Come On
Serving as the lead single and No. One hit from THEY DON’T KNOW, Jason Aldean performed the smash hit “Lights Come On,” sharing vocals with songwriters Florida Georgia Line’s Brian Kelley (BMI) and Tyler Hubbard (BMI), as well as Jimmy Robbins (ASCAP), Jordan Schmidt (ASCAP), Brad Warren (BMI) and Brett Warren (BMI). The hit serves as Schmidt’s first No. One as a songwriter as well as the first for Kelley and Hubbard’s Tree Vibez Music publishing company.
A Little More Summertime
Following suit, Aldean was joined on stage by songwriters Jerry Flowers (ASCAP), Tony Martin (BMI) and Wendell Mobley (BMI) to perform a stripped-down version of THEY DON’T KNOW’s second No. One single, “A Little More Summertime.”
Any Ol’ Barstool
To close out the round, Aldean invited Deric Ruttan (ASCAP) and Josh Thompson (BMI) to the stage who serve as the songwriters behind his “Any Ol’ Barstool.” It is the third consecutive chart topper off his seventh studio album. Aldean’s 19th career No. One serves as Thompson’s first No. One as a songwriter.
Aldean’s most recent album, THEY DON’T KNOW, follows each album release earning PLATINUM certification or better, tallying more than 15 million total album sales and 19 No. One hits. The longevity of his career reached new heights as he debuted at the No. One position on Billboard’s all-genre Top 200 Album chart for the third consecutive time. In addition to his THEY DON’T KNOW TOUR, the Country Music Hall of Fame and Museum is showcasing a special exhibit titled ‘Jason Aldean: Asphalt Cowboy,’ commemorating his wide-open sound that has been one of the defining influences on today’s Country Music. For more information and for a full list of upcoming tour dates, visit www.jasonaldean.com.
Information provided by the Green Room, Nashville.
Hope Nation Radio concert to support families of children with cancer
Songwriters can always be relied upon to step up and offer their time and talent when the call for help goes out. I can attest to that from personal experience! And now, some of Nashville’s finest singer/songwriters are joining with Hope Nation Radio to kick off their 8th annual ’30 Days of Hope’ campaign.
September is Childhood Cancer Awareness Month and Hope Nation Radio will host a fundraiser at 3rd & Lindsley in Nashville on Wednesday September 6, 2017. Doors open at 6:00 pm and the show starts at 7:00 pm. The show will benefit the Live4Tay Foundation. Proceeds raised this night will go directly to the foundation to support families of children with cancer.
And just look who is on the bill! You’ve gotta see this one!
All-Star singer/songwriter lineup
The all-star lineup will feature acoustic performances from Brady Seals (formerly of Little Texas, “God Blessed Texas”), Buddy Jewell (Nashville Star winner), Gordon Kennedy (multi-Grammy winner), John Berry (with 20+ hit singles), Keith Anderson (hit songwriter for Big & Rich, Garth Brooks and George Jones), Paul Jefferson (with hits for Aaron Tippin, Keith Urban, etc), and Sonny Lemaire (formerly of Exile “Kiss You All Over” + 9 Number Ones).
About Live4Tay Foundation: The foundation financially supports families who have children with cancer by raising money and awareness through benevolent fundraising events. They have helped 110 families in Tennessee and raised around $200k for local families. They also assist other organizations in financing research for preventing and curing cancer, especially in children. Find out more about the live4Tay Foundation here.
About Hope Nation Radio: Formed in 2013 by Nile “Big Daddy” Peaytt and Thomas Hammonds, this station plays a variety of country music, pop, rock, contemporary, Christian and gospel from signed and independent artists. This is a station anyone can listen to, including the children in the hospital; whether it be for a lengthy stay or to help pass the time while getting treatments. Visit their website here and follow them on all social media @HopeNationRadio.